"English Content"의 두 판 사이의 차이
(새 문서: ==Ancient Traces and Historical Origins== * Ancient Life: The Archeological Site in Sinchang-dong * Gwangju’s Dolmens * E2024-G141 | Ancient Keyh...) |
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| (다른 사용자 한 명의 중간 판 4개는 보이지 않습니다) | |||
| 1번째 줄: | 1번째 줄: | ||
| − | ==Ancient Traces and Historical Origins== | + | ==Chapter 1. Ancient Traces and Historical Origins== |
| − | * [[E2024- | + | |
| + | <big>'''Section 1-1. Prehistoric and Ancient Gwangju'''</big> | ||
| + | |||
| + | '''[[S2024-G019 | Ancient Roots: Gwangju Through the Ages]]''' | ||
| + | |||
| + | * [[E2024-G110 | Mujingoseong Fortress: A Glimpse of Gwangju in the Unified Silla Period]] | ||
* [[E2024-G140 | Gwangju’s Dolmens]] | * [[E2024-G140 | Gwangju’s Dolmens]] | ||
* [[E2024-G141 | Ancient Keyhole Tombs]] | * [[E2024-G141 | Ancient Keyhole Tombs]] | ||
| − | |||
* [[E2024-G142 | Tomb of a Goryeo Official: Jeong Ji]] | * [[E2024-G142 | Tomb of a Goryeo Official: Jeong Ji]] | ||
* [[E2024-G143 | Tomb of a Joseon Official: Jeon Sang-ui]] | * [[E2024-G143 | Tomb of a Joseon Official: Jeon Sang-ui]] | ||
| + | * [[E2024-G145 | Ancient Life: The Archeological Site in Sinchang-dong]] | ||
| + | |||
| + | ==Chapter 2. Confucian Traditions and Local Communities== | ||
| + | |||
| + | <big>'''Section 2-1. Governance, Learning, and Moral Order'''</big> | ||
| + | |||
| + | '''[[S2024-G015 | Sacred Foundations: Confucian Legacy and Traditional Governance]]''' | ||
| − | |||
* [[E2024-G107 | Gwangjueupseong Walled Town: The Administrative Heart of Gwangju]] | * [[E2024-G107 | Gwangjueupseong Walled Town: The Administrative Heart of Gwangju]] | ||
| − | |||
* [[E2024-G109 | Gwangjuhyanggyo Local Confucian School: Confucian Veneration and Elite Education]] | * [[E2024-G109 | Gwangjuhyanggyo Local Confucian School: Confucian Veneration and Elite Education]] | ||
* [[E2024-G111 | Commemorative Pavilion of the Jangheung Go Clan: Three Generations of the Three Confucian Virtues]] | * [[E2024-G111 | Commemorative Pavilion of the Jangheung Go Clan: Three Generations of the Three Confucian Virtues]] | ||
| 17번째 줄: | 26번째 줄: | ||
* [[E2024-G116 | Wolbongseowon Confucian Academy: Repository of the Four-Seven Debate]] | * [[E2024-G116 | Wolbongseowon Confucian Academy: Repository of the Four-Seven Debate]] | ||
| − | ==Folk Beliefs and Everyday Culture== | + | ==Chapter 3. Folk Beliefs and Everyday Culture== |
| + | |||
| + | <big>'''Section 3-1. Village Rituals and Communal Life'''</big> | ||
| + | |||
| + | '''[[S2024-G016 | Folk Spirit: Village Guardians and Community Traditions]]''' | ||
| + | |||
| + | * [[E2024-G108 | Sajikdan Altar: Praying to the Spirits of the Land and Grain]] | ||
* [[E2024-G117 | Village Guardians: Local Trees and Shrines]] | * [[E2024-G117 | Village Guardians: Local Trees and Shrines]] | ||
| + | * [[E2024-G118 | Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance]] | ||
* [[E2024-G119 | Guardian Posts: Guiding the Way, Protecting the Village]] | * [[E2024-G119 | Guardian Posts: Guiding the Way, Protecting the Village]] | ||
| − | |||
* [[E2024-G120 | The Loop Fight of Gwangju: Competition to Bring the Community Together]] | * [[E2024-G120 | The Loop Fight of Gwangju: Competition to Bring the Community Together]] | ||
| − | |||
| − | |||
| − | ==Buddhist Heritage and Mudeungsan Mountain== | + | ==Chapter 4. Buddhist Heritage and Mudeungsan Mountain== |
| + | |||
| + | <big>'''Section 4-1. Sacred Mountain and Natural Heritage'''</big> | ||
| + | |||
| + | '''[[S2024-G018 | Mudeungsan: Sacred Mountain, Natural Wonder, Cultural Heart]]''' | ||
| + | |||
* [[E2024-G130 | Mudeungsan UNESCO Global Geopark: Unique Geological Formations of International Renown]] | * [[E2024-G130 | Mudeungsan UNESCO Global Geopark: Unique Geological Formations of International Renown]] | ||
* [[E2024-G131 | Mudeungsan Mountain: Where Monks and Literati Meet]] | * [[E2024-G131 | Mudeungsan Mountain: Where Monks and Literati Meet]] | ||
| + | * [[E2024-G132 | Mudeung Landscape Course: A Cultural Journey Through Nature]] | ||
| + | * [[E2024-G134 | Hwanbyeokdang Pavilion and the Literati of 16th-Century Korea]] | ||
* [[E2024-G135 | Mudeungsan Mountain: Where the Traditional Ceramic Industry Thrived]] | * [[E2024-G135 | Mudeungsan Mountain: Where the Traditional Ceramic Industry Thrived]] | ||
* [[E2024-G136 | Kim Deok-ryeong: Legend of Mudeungsan Mountain]] | * [[E2024-G136 | Kim Deok-ryeong: Legend of Mudeungsan Mountain]] | ||
| − | * [[E2024- | + | * [[E2024-G138 | Scenic Beauty: Mudeungsan’s Columnar Joints]] |
| + | |||
| + | <big>'''Section 4-2. Temples and Buddhist Memory'''</big> | ||
| + | |||
| + | '''[[S2024-G006 | Jeungsimsa Temple and the Sacred Landscape of Mudeungsan Mountain]]''' | ||
| + | |||
* [[E2024-G033 | Jeungsimsa Temple: A Repository of Buddhist Heritage]] | * [[E2024-G033 | Jeungsimsa Temple: A Repository of Buddhist Heritage]] | ||
* [[E2024-G034 | Ten Scenic Views of Jeungsimsa Temple: Poetry and Art at Mudeungsan Mountain]] | * [[E2024-G034 | Ten Scenic Views of Jeungsimsa Temple: Poetry and Art at Mudeungsan Mountain]] | ||
* [[E2024-G035 | Stone Monuments for the Mountain Deity: Invoking the Sacred Spirit of Mudeungsan Mountain]] | * [[E2024-G035 | Stone Monuments for the Mountain Deity: Invoking the Sacred Spirit of Mudeungsan Mountain]] | ||
| + | |||
| + | '''[[S2024-G007 | Gwangju, Stories Etched in Buddhist Temples]]''' | ||
| + | |||
| + | * [[E2024-G032 | Wonhyosa Temple: Legacy of Monk Wonhyo]] | ||
| + | * [[E2024-G033 | Jeungsimsa Temple: A Repository of Buddhist Heritage]] | ||
* [[E2024-G036 | Hyangnimsa Temple: A Contemporary Temple Bridging Education and Buddhist Tradition]] | * [[E2024-G036 | Hyangnimsa Temple: A Contemporary Temple Bridging Education and Buddhist Tradition]] | ||
* [[E2024-G037 | Yaksaam Hermitage: A Sacred Site of the Medicine Buddha on Mudeungsan Mountain]] | * [[E2024-G037 | Yaksaam Hermitage: A Sacred Site of the Medicine Buddha on Mudeungsan Mountain]] | ||
* [[E2024-G038 | Munbinjeongsa Temple: A Place of Art, Democracy, and Remembrance]] | * [[E2024-G038 | Munbinjeongsa Temple: A Place of Art, Democracy, and Remembrance]] | ||
| − | |||
==Chapter 5. Democracy and the May 18 Democratic Uprising== | ==Chapter 5. Democracy and the May 18 Democratic Uprising== | ||
| + | |||
| + | <big>'''Section 5-1. The Birth of Democratic Resistance'''</big> | ||
| + | |||
| + | '''[[S2024-G010 | May 18 Legacy: Voices of Democracy and Remembrance]]''' | ||
| + | |||
* [[E2024-G081 | UNESCO Human Rights Documentary Heritage Archives]] | * [[E2024-G081 | UNESCO Human Rights Documentary Heritage Archives]] | ||
* [[E2024-G082 | Chonnam National University: Where the Call for Democracy Began]] | * [[E2024-G082 | Chonnam National University: Where the Call for Democracy Began]] | ||
| 48번째 줄: | 82번째 줄: | ||
* [[E2024-G087 | The Role of the YWCA in the May 18 Democratic Uprising]] | * [[E2024-G087 | The Role of the YWCA in the May 18 Democratic Uprising]] | ||
* [[E2024-G088 | Representing the People in the May 18 Democratic Uprising: The Citizen Emergency Headquarters]] | * [[E2024-G088 | Representing the People in the May 18 Democratic Uprising: The Citizen Emergency Headquarters]] | ||
| + | |||
| + | <big>'''Section 5-2. Women and Democratic Values'''</big> | ||
| + | |||
| + | '''[[S2024-G011 | Women and Democracy: The Untold Stories of May 18]]''' | ||
| + | |||
| + | * [[E2024-G087 | The Role of the YWCA in the May 18 Democratic Uprising]] | ||
* [[E2024-G090 | Women and the May 18 Democratic Uprising]] | * [[E2024-G090 | Women and the May 18 Democratic Uprising]] | ||
| + | * [[E2024-G180 | The Young Women of Speer Girls’ School and the Independence Movement]] | ||
| + | * [[E2024-G163 | The Western Women Who Helped Lead Gwangju’s Modern Women’s Education]] | ||
| + | * [[E2024-G184 | Kim Pil-rye: Leader of Modern Women’s Education in Gwangju]] | ||
| + | |||
| + | <big>'''Section 5-3. Writing, Recording, and Remembering May'''</big> | ||
| + | |||
| + | '''[[S2024-G012 | Literary Witnesses: Writing Democracy and Resistance]]''' | ||
| + | |||
| + | * [[E2024-G089 | Deulbul Night School and Nokdu Bookstore]] | ||
| + | * [[E2024-G091 | Fictional Portrayals of the May 18 Democratic Uprising: Literature]] | ||
| + | * [[E2024-G092 | Hwang Sok-yong: Remembering the May 18 Democratic Uprising through Words]] | ||
| + | * [[E2024-G093 | From Gwangju to the World: Nobel Prize Laureate Han Kang]] | ||
* [[E2024-G095 | Recording the Events of the May 18 Democratic Uprising: Gwangju Diary by Lee Jae-eui]] | * [[E2024-G095 | Recording the Events of the May 18 Democratic Uprising: Gwangju Diary by Lee Jae-eui]] | ||
| − | * [[E2024- | + | * [[E2024-G167 | Poet Kim Jun-tae: Remembering Gwangju and the May 18 Democratic Uprising]] |
| + | |||
| + | <big>'''Section 5-4. Sites of Memory'''</big> | ||
| + | |||
* [[E2024-G139 | Rice Balls and the May 18 Democratic Uprising]] | * [[E2024-G139 | Rice Balls and the May 18 Democratic Uprising]] | ||
* [[E2024-G185 | The Seven Deulbul Martyrs and the May 18 Democratic Uprising]] | * [[E2024-G185 | The Seven Deulbul Martyrs and the May 18 Democratic Uprising]] | ||
| 56번째 줄: | 111번째 줄: | ||
* [[E2024-G193 | 5.18 Memorial Park: Remembering the Democratic Uprising]] | * [[E2024-G193 | 5.18 Memorial Park: Remembering the Democratic Uprising]] | ||
| − | ==Art, Literature, and Cultural | + | ==Chapter 6. Art, Literature, and Cultural Creativity== |
| − | * [[E2024- | + | |
| − | * [[E2024- | + | <big>'''Section 6-1. Performing Arts and Cultural Continuity'''</big> |
| − | * [[E2024- | + | |
| − | * [[E2024- | + | '''[[S2024-G001 | Gwangju Echoes: Inheriting Art, Telling History]]''' |
| + | |||
| + | * [[E2024-G001 | Gwangju Gwonbeon: Inheriting the Legacy of Korean Traditional Performing Arts]] | ||
| + | * [[E2024-G002 | Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters]] | ||
| + | * [[E2024-G003 | The Songs of Patriotic Martyrs (Yeolsaga): The Beginning of Contemporary Creative Pansori]] | ||
| + | * [[E2024-G004 | Echoes of Seopyeonje: Transforming Tradition into Culture]] | ||
| + | |||
| + | <big>'''Section 6-2. Art as Resistance'''</big> | ||
| + | |||
| + | '''[[S2024-G013 | Minjung Art: Visual Revolution and Social Awakening]]''' | ||
| + | |||
* [[E2024-G097 | The Democratization Movement as Seen through Art: Minjung Art]] | * [[E2024-G097 | The Democratization Movement as Seen through Art: Minjung Art]] | ||
* [[E2024-G098 | Minjung Art Forms: Woodcuts]] | * [[E2024-G098 | Minjung Art Forms: Woodcuts]] | ||
* [[E2024-G099 | Minjung Art Forms: Hanging Paintings]] | * [[E2024-G099 | Minjung Art Forms: Hanging Paintings]] | ||
* [[E2024-G100 | Minjung Art Forms: Murals]] | * [[E2024-G100 | Minjung Art Forms: Murals]] | ||
| + | * [[E2024-G102 | Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance]] | ||
* [[E2024-G104 | Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising]] | * [[E2024-G104 | Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising]] | ||
| − | |||
| − | |||
| − | == | + | ==Chapter 7. Industry, Urban Growth, and Global Gwangju== |
| − | + | ||
| − | + | <big>'''Section 7-1. Industry and Economic Transformation'''</big> | |
| − | + | ||
| − | + | '''[[S2024-G022 | Industrial Transformation: From Textiles to High-Tech]]''' | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
* [[E2024-G149 | Gwangju’s Textile Industry]] | * [[E2024-G149 | Gwangju’s Textile Industry]] | ||
* [[E2024-G150 | Gwangju’s Automotive Industry]] | * [[E2024-G150 | Gwangju’s Automotive Industry]] | ||
* [[E2024-G151 | Gwangju’s Next-Generation Industries]] | * [[E2024-G151 | Gwangju’s Next-Generation Industries]] | ||
* [[E2024-G152 | The Birthplace of Keumho Asiana Group]] | * [[E2024-G152 | The Birthplace of Keumho Asiana Group]] | ||
| + | |||
| + | <big>'''Section 7-2. Migration and Global Communities'''</big> | ||
| + | |||
| + | '''[[S2024-G023 | Global Gwangju: The Goryeoin Community and International Connections]]''' | ||
| + | |||
* [[E2024-G153 | Gwangju’s Goryeoin Community: Social Cooperation and Support]] | * [[E2024-G153 | Gwangju’s Goryeoin Community: Social Cooperation and Support]] | ||
* [[E2024-G154 | Gwangju’s Goryeoin Community: Youth Education]] | * [[E2024-G154 | Gwangju’s Goryeoin Community: Youth Education]] | ||
* [[E2024-G155 | Gwangju’s Goryeoin Community: Celebrating Culture]] | * [[E2024-G155 | Gwangju’s Goryeoin Community: Celebrating Culture]] | ||
* [[E2024-G156 | Gwangju’s Representative Goryeoin Artist: Painter Viktor Moon]] | * [[E2024-G156 | Gwangju’s Representative Goryeoin Artist: Painter Viktor Moon]] | ||
| + | * [[E2024-G187 | Places to Visit in the Gwangju Goryeoin Village in Wolgok-dong]] | ||
| + | |||
| + | ==Chapter 8. Daily Life, Food Culture, and Urban Exploration== | ||
| + | |||
| + | <big>'''Section 8-1. Food and Everyday Taste'''</big> | ||
| + | |||
| + | '''[[S2024-G008 | Flavors of Gwangju and Jeolla-do: From Ritual Tables to Modern Streets]]''' | ||
| − | |||
* [[E2024-G041 | The Tradition of Cooking: Ritual Culinary Art of Jeollanam-do]] | * [[E2024-G041 | The Tradition of Cooking: Ritual Culinary Art of Jeollanam-do]] | ||
* [[E2024-G042 | Gwangju’s Five Delicacies]] | * [[E2024-G042 | Gwangju’s Five Delicacies]] | ||
* [[E2024-G043 | Gwangju’s Seven Delicacies]] | * [[E2024-G043 | Gwangju’s Seven Delicacies]] | ||
| − | * [[E2024- | + | * [[E2024-G044 | Gwangju Kimchi Town: From Tradition to Globalization]] |
| − | * [[E2024- | + | * [[E2024-G045 | Museum of Southern Korean Cuisine: Tradition on the Table]] |
| + | |||
| + | <big>'''Section 8-2. Streets, Neighborhoods, and City Life'''</big> | ||
| + | |||
| + | '''[[S2024-G028 | Modern Gwangju: Neighborhoods, Culture, and Urban Life]]''' | ||
| + | |||
| + | * [[E2024-G186 | Yangnim-dong History & Culture Village: The Home of Gwangju’s Western Missionaries]] | ||
* [[E2024-G188 | Dongmyeong-dong: A Quaint Neighborhood with Cafes and History]] | * [[E2024-G188 | Dongmyeong-dong: A Quaint Neighborhood with Cafes and History]] | ||
| + | * [[E2024-G189 | Jisan-dong: A Place to Enjoy Food and Culture on Your Journey to Nature]] | ||
* [[E2024-G190 | Chungjang-dong: Gwangju’s Commercial Center]] | * [[E2024-G190 | Chungjang-dong: Gwangju’s Commercial Center]] | ||
| + | * [[E2024-G195 | The National Asian Culture Center: The Heart of Festival Activity]] | ||
* [[E2024-G197 | Gwangju Art Street: A Hub of Creativity]] | * [[E2024-G197 | Gwangju Art Street: A Hub of Creativity]] | ||
| + | * [[E2024-G198 | Dongnidan-gil Cafe Street: A Charming and Youthful Neighborhood]] | ||
| + | |||
| + | ==Chapter 9. Houses, Sites, and Living Memory== | ||
| + | |||
| + | <big>'''Section 9-1. Places of Remembrance'''</big> | ||
| + | |||
| + | '''[[S2024-G029 | Sites of Memory: Parks, Monuments, and Sacred Spaces]]''' | ||
| + | |||
| + | * [[E2024-G191 | May 18th National Cemetery: Remembering the Martyrs of Democracy]] | ||
| + | * [[E2024-G193 | 5.18 Memorial Park: Remembering the Democratic Uprising]] | ||
| + | * [[E2024-G194 | The Sangmu Zone: An Oasis of Nature in the City]] | ||
| + | * [[E2024-G196 | Gwangju World Cup Stadium: The Hub of the City's Athletic Activities]] | ||
| + | * [[E2024-G139 | Rice Balls and the May 18 Democratic Uprising]] | ||
| + | |||
| + | <big>'''Section 9-2. Houses and Everyday Heritage'''</big> | ||
| + | |||
| + | '''[[S2024-G030 | Houses of Gwangju: Living Heritage of Time and Memory]]''' | ||
| + | |||
| + | * [[E2024-G147 | Traditional Homes with Foreign Influences: Yi Jang-u’s House]] | ||
| + | * [[E2024-G148 | Traditional Homes with Foreign Influences: Kim Yong-hak’s House]] | ||
| + | * [[E2024-G056 | Choe Seung-hyo’s House: A Legacy of Culture and Art]] | ||
| + | * [[E2024-G057 | Go Won-hui’s House: A Legacy of Loyalty and Integrity]] | ||
| + | * [[E2024-G058 | Kim Bong-ho’s House: A Home Preserving the Everyday History of Gwangju]] | ||
| + | * [[E2024-G059 | The Noble House of the Choe Family in Sa-dong: A Space Reflecting Modern Gwangju’s Architecture and Life]] | ||
| − | [[분류: Story TOC]] | + | [[분류:Story]] |
| + | [[분류:Story TOC]] | ||
2025년 12월 17일 (수) 16:40 기준 최신판
목차
- 1 Chapter 1. Ancient Traces and Historical Origins
- 2 Chapter 2. Confucian Traditions and Local Communities
- 3 Chapter 3. Folk Beliefs and Everyday Culture
- 4 Chapter 4. Buddhist Heritage and Mudeungsan Mountain
- 5 Chapter 5. Democracy and the May 18 Democratic Uprising
- 6 Chapter 6. Art, Literature, and Cultural Creativity
- 7 Chapter 7. Industry, Urban Growth, and Global Gwangju
- 8 Chapter 8. Daily Life, Food Culture, and Urban Exploration
- 9 Chapter 9. Houses, Sites, and Living Memory
Chapter 1. Ancient Traces and Historical Origins
Section 1-1. Prehistoric and Ancient Gwangju
Ancient Roots: Gwangju Through the Ages
- Mujingoseong Fortress: A Glimpse of Gwangju in the Unified Silla Period
- Gwangju’s Dolmens
- Ancient Keyhole Tombs
- Tomb of a Goryeo Official: Jeong Ji
- Tomb of a Joseon Official: Jeon Sang-ui
- Ancient Life: The Archeological Site in Sinchang-dong
Chapter 2. Confucian Traditions and Local Communities
Section 2-1. Governance, Learning, and Moral Order
Sacred Foundations: Confucian Legacy and Traditional Governance
- Gwangjueupseong Walled Town: The Administrative Heart of Gwangju
- Gwangjuhyanggyo Local Confucian School: Confucian Veneration and Elite Education
- Commemorative Pavilion of the Jangheung Go Clan: Three Generations of the Three Confucian Virtues
- Commemorative Pavilion of Chunghyo-dong: The Village of Loyalty and Filial Devotion
- Buyongjeong Pavilion and the Gwangju Village Code
- Yi Seon-je’s Shrine in Perpetuity: Remembering Outstanding Virtue
- Wolbongseowon Confucian Academy: Repository of the Four-Seven Debate
Chapter 3. Folk Beliefs and Everyday Culture
Section 3-1. Village Rituals and Communal Life
Folk Spirit: Village Guardians and Community Traditions
- Sajikdan Altar: Praying to the Spirits of the Land and Grain
- Village Guardians: Local Trees and Shrines
- Gwangju’s Farmers’ Music: Community Solidarity for Agricultural Abundance
- Guardian Posts: Guiding the Way, Protecting the Village
- The Loop Fight of Gwangju: Competition to Bring the Community Together
Chapter 4. Buddhist Heritage and Mudeungsan Mountain
Section 4-1. Sacred Mountain and Natural Heritage
Mudeungsan: Sacred Mountain, Natural Wonder, Cultural Heart
- Mudeungsan UNESCO Global Geopark: Unique Geological Formations of International Renown
- Mudeungsan Mountain: Where Monks and Literati Meet
- Mudeung Landscape Course: A Cultural Journey Through Nature
- Hwanbyeokdang Pavilion and the Literati of 16th-Century Korea
- Mudeungsan Mountain: Where the Traditional Ceramic Industry Thrived
- Kim Deok-ryeong: Legend of Mudeungsan Mountain
- Scenic Beauty: Mudeungsan’s Columnar Joints
Section 4-2. Temples and Buddhist Memory
Jeungsimsa Temple and the Sacred Landscape of Mudeungsan Mountain
- Jeungsimsa Temple: A Repository of Buddhist Heritage
- Ten Scenic Views of Jeungsimsa Temple: Poetry and Art at Mudeungsan Mountain
- Stone Monuments for the Mountain Deity: Invoking the Sacred Spirit of Mudeungsan Mountain
Gwangju, Stories Etched in Buddhist Temples
- Wonhyosa Temple: Legacy of Monk Wonhyo
- Jeungsimsa Temple: A Repository of Buddhist Heritage
- Hyangnimsa Temple: A Contemporary Temple Bridging Education and Buddhist Tradition
- Yaksaam Hermitage: A Sacred Site of the Medicine Buddha on Mudeungsan Mountain
- Munbinjeongsa Temple: A Place of Art, Democracy, and Remembrance
Chapter 5. Democracy and the May 18 Democratic Uprising
Section 5-1. The Birth of Democratic Resistance
May 18 Legacy: Voices of Democracy and Remembrance
- UNESCO Human Rights Documentary Heritage Archives
- Chonnam National University: Where the Call for Democracy Began
- Witness to History: The Jeonil Building and Former Jeollanam-do Provincial Office
- Remembrance through Revitalization: Jeonil Building 245 and Democracy Square
- Tales from the Outside: Foreign Witnesses’ Accounts of the May 18 Democratic Uprising
- The Role of Catholic Leaders in the May 18 Democratic Uprising
- The Role of the YWCA in the May 18 Democratic Uprising
- Representing the People in the May 18 Democratic Uprising: The Citizen Emergency Headquarters
Section 5-2. Women and Democratic Values
Women and Democracy: The Untold Stories of May 18
- The Role of the YWCA in the May 18 Democratic Uprising
- Women and the May 18 Democratic Uprising
- The Young Women of Speer Girls’ School and the Independence Movement
- The Western Women Who Helped Lead Gwangju’s Modern Women’s Education
- Kim Pil-rye: Leader of Modern Women’s Education in Gwangju
Section 5-3. Writing, Recording, and Remembering May
Literary Witnesses: Writing Democracy and Resistance
- Deulbul Night School and Nokdu Bookstore
- Fictional Portrayals of the May 18 Democratic Uprising: Literature
- Hwang Sok-yong: Remembering the May 18 Democratic Uprising through Words
- From Gwangju to the World: Nobel Prize Laureate Han Kang
- Recording the Events of the May 18 Democratic Uprising: Gwangju Diary by Lee Jae-eui
- Poet Kim Jun-tae: Remembering Gwangju and the May 18 Democratic Uprising
Section 5-4. Sites of Memory
- Rice Balls and the May 18 Democratic Uprising
- The Seven Deulbul Martyrs and the May 18 Democratic Uprising
- May 18th National Cemetery: Remembering the Martyrs of Democracy
- 5.18 Memorial Park: Remembering the Democratic Uprising
Chapter 6. Art, Literature, and Cultural Creativity
Section 6-1. Performing Arts and Cultural Continuity
Gwangju Echoes: Inheriting Art, Telling History
- Gwangju Gwonbeon: Inheriting the Legacy of Korean Traditional Performing Arts
- Gwangju Hyeomnyulsa: The Stage of Korea’s Pansori Masters
- The Songs of Patriotic Martyrs (Yeolsaga): The Beginning of Contemporary Creative Pansori
- Echoes of Seopyeonje: Transforming Tradition into Culture
Section 6-2. Art as Resistance
Minjung Art: Visual Revolution and Social Awakening
- The Democratization Movement as Seen through Art: Minjung Art
- Minjung Art Forms: Woodcuts
- Minjung Art Forms: Hanging Paintings
- Minjung Art Forms: Murals
- Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance
- Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising
Chapter 7. Industry, Urban Growth, and Global Gwangju
Section 7-1. Industry and Economic Transformation
Industrial Transformation: From Textiles to High-Tech
- Gwangju’s Textile Industry
- Gwangju’s Automotive Industry
- Gwangju’s Next-Generation Industries
- The Birthplace of Keumho Asiana Group
Section 7-2. Migration and Global Communities
Global Gwangju: The Goryeoin Community and International Connections
- Gwangju’s Goryeoin Community: Social Cooperation and Support
- Gwangju’s Goryeoin Community: Youth Education
- Gwangju’s Goryeoin Community: Celebrating Culture
- Gwangju’s Representative Goryeoin Artist: Painter Viktor Moon
- Places to Visit in the Gwangju Goryeoin Village in Wolgok-dong
Chapter 8. Daily Life, Food Culture, and Urban Exploration
Section 8-1. Food and Everyday Taste
Flavors of Gwangju and Jeolla-do: From Ritual Tables to Modern Streets
- The Tradition of Cooking: Ritual Culinary Art of Jeollanam-do
- Gwangju’s Five Delicacies
- Gwangju’s Seven Delicacies
- Gwangju Kimchi Town: From Tradition to Globalization
- Museum of Southern Korean Cuisine: Tradition on the Table
Section 8-2. Streets, Neighborhoods, and City Life
Modern Gwangju: Neighborhoods, Culture, and Urban Life
- Yangnim-dong History & Culture Village: The Home of Gwangju’s Western Missionaries
- Dongmyeong-dong: A Quaint Neighborhood with Cafes and History
- Jisan-dong: A Place to Enjoy Food and Culture on Your Journey to Nature
- Chungjang-dong: Gwangju’s Commercial Center
- The National Asian Culture Center: The Heart of Festival Activity
- Gwangju Art Street: A Hub of Creativity
- Dongnidan-gil Cafe Street: A Charming and Youthful Neighborhood
Chapter 9. Houses, Sites, and Living Memory
Section 9-1. Places of Remembrance
Sites of Memory: Parks, Monuments, and Sacred Spaces
- May 18th National Cemetery: Remembering the Martyrs of Democracy
- 5.18 Memorial Park: Remembering the Democratic Uprising
- The Sangmu Zone: An Oasis of Nature in the City
- Gwangju World Cup Stadium: The Hub of the City's Athletic Activities
- Rice Balls and the May 18 Democratic Uprising
Section 9-2. Houses and Everyday Heritage
Houses of Gwangju: Living Heritage of Time and Memory
- Traditional Homes with Foreign Influences: Yi Jang-u’s House
- Traditional Homes with Foreign Influences: Kim Yong-hak’s House
- Choe Seung-hyo’s House: A Legacy of Culture and Art
- Go Won-hui’s House: A Legacy of Loyalty and Integrity
- Kim Bong-ho’s House: A Home Preserving the Everyday History of Gwangju
- The Noble House of the Choe Family in Sa-dong: A Space Reflecting Modern Gwangju’s Architecture and Life
