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== Narrative == | == Narrative == | ||
| − | One of the key forms of [[민중미술|Minjung art]], or | + | One of the key forms of [[민중미술|Minjung art]], or “people’s art,” is the [[판화|woodcut print (<i>panhwa</i>)]]. A number of woodcut prints were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. The most representative 220 among them were curated by the [[천주교 광주대교구 정의평화위원회|Justice and Peace Committee of Gwangju Diocese]] as the [[시민판화집|Citizens’ Woodblock Cut Collection]] in 1986. Among them include works by the renowned artist [[홍성담|Hong Seong-dam (1955-)]], such as his piece, [[판화_횃불행진|“<i>Haetbul haengjin</i>” (Torchlight March)]]. The importance of these works were recognized by the Japanese artist [[도미야마_다에코|Tomiyama Taeko (1921-2021)]], who promoted them in her activism against imperialism in East Asia. This story of art and resistance is also preserved by figures like [[하정웅|Ha Jung-woong (1939-)]], a Korean-Japanese art collector, who some of Hong’s works to the [[광주시립미술관|Gwangju Museum of Art]], ensuring that the legacy of courage and creativity endures for future generations to witness. |
==Network Graph== | ==Network Graph== | ||
| 19번째 줄: | 19번째 줄: | ||
==Story Map== | ==Story Map== | ||
| + | *[[S2024-G013| Minjung Art: Visual Revolution and Social Awakening]] | ||
| + | ** [[E2024-G097|The Democratization Movement as Seen through Art: Minjung Art]] | ||
| + | ** [[E2024-G098|Minjung Art Forms: Woodcuts]] | ||
| + | ** [[E2024-G099|Minjung Art Forms: Hanging Paintings]] | ||
| + | ** [[E2024-G100|Minjung Art Forms: Murals]] | ||
| + | ** [[E2024-G102|Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance]] | ||
| + | ** [[E2024-G104|Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising]] | ||
[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]] | [[분류:Story]] [[분류:이야기 조각]] [[분류:린지]] | ||
2025년 10월 11일 (토) 13:48 기준 최신판
Minjung Art Forms: Woodcuts
Narrative
One of the key forms of Minjung art, or “people’s art,” is the woodcut print (panhwa). A number of woodcut prints were made to convey and commemorate the events of the May 18 Democratic Uprising. The most representative 220 among them were curated by the Justice and Peace Committee of Gwangju Diocese as the Citizens’ Woodblock Cut Collection in 1986. Among them include works by the renowned artist Hong Seong-dam (1955-), such as his piece, “Haetbul haengjin” (Torchlight March). The importance of these works were recognized by the Japanese artist Tomiyama Taeko (1921-2021), who promoted them in her activism against imperialism in East Asia. This story of art and resistance is also preserved by figures like Ha Jung-woong (1939-), a Korean-Japanese art collector, who some of Hong’s works to the Gwangju Museum of Art, ensuring that the legacy of courage and creativity endures for future generations to witness.
Network Graph
Resources
| type | resource | title | description/caption | URL |
|---|---|---|---|---|
| 기사 | Chonnam Tribune | May Spirit of Gwangju Reborn Through Arts | https://tribune.cnumedia.jnu.ac.kr/news/articleView.html?idxno=20637 | |
| 기사 | Yonhap News | 'Spring of Democracy' exhibition highlights records, emotions of Gwangju uprising | https://en.yna.co.kr/view/AEN20200528007800315 |
