"E2024-G102"의 두 판 사이의 차이
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| 3번째 줄: | 3번째 줄: | ||
== Narrative == | == Narrative == | ||
| − | The [[Jeonnam-Gwangju Art Collective Alliance]] emerged out of the [[5.18민주화운동|May 18 Democratic Uprising]] and the [[민중미술|Minjung art]] movement of the 1980s. The alliance consisted of ten university-based art groups, including [[미술패_개땅쇠|Gaettangsoe]], [[미술패_토말|Tomal]], [[미술패_조선미술터|Joseon Misul Teo]], and [[미술패_땅끝|Ttangkkeut]] from [[Chosun University | + | The [[전남광주지역미술패연합|Jeonnam-Gwangju Art Collective Alliance]] emerged out of the [[5.18민주화운동|May 18 Democratic Uprising]] and the [[민중미술|Minjung art]] movement of the 1980s. The alliance consisted of ten university-based art groups, including [[미술패_개땅쇠|Gaettangsoe]], [[미술패_토말|Tomal]], [[미술패_조선미술터|Joseon Misul Teo]], and [[미술패_땅끝|Ttangkkeut]] from [[조선대학교|Chosun University]], [[미술패_신바람|Sinparam]], [[미술패_불나비|Bullabi]], [[미술패_창|Chang]], [[미술패_우리미술연구회|Uri Misul Yeonguhoe]] from [[전남대학교|Chonnam National University]], [[미술패_솟터|Sotteo]] from [[광주교육대학교|Gwangju National University of Education]], and [[미술패_매|May]] from [[호남대학교|Honam University]]. Their works, such as [[9폭-민중생존권_투쟁과_6월_항쟁|“Nine Screens-Struggle For the People’s Survival and the June Uprising”]], highlighted their commitment to using art as a tool for social commentary and change. Through their connection to historical events like the May 18 Democratic Uprising, they influenced broader movements like the [[대중미술운동|popular art movement]] and [[대학미술운동|university art movement]], cementing their place in the fight for democracy and human rights in their community. |
==Network Graph== | ==Network Graph== | ||
| 9번째 줄: | 9번째 줄: | ||
==Story Map== | ==Story Map== | ||
| + | *[[S2024-G013| Minjung Art: Visual Revolution and Social Awakening]] | ||
| + | ** [[E2024-G097|The Democratization Movement as Seen through Art: Minjung Art]] | ||
| + | ** [[E2024-G098|Minjung Art Forms: Woodcuts]] | ||
| + | ** [[E2024-G099|Minjung Art Forms: Hanging Paintings]] | ||
| + | ** [[E2024-G100|Minjung Art Forms: Murals]] | ||
| + | ** [[E2024-G102|Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance]] | ||
| + | ** [[E2024-G104|Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising]] | ||
[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]] | [[분류:Story]] [[분류:이야기 조각]] [[분류:린지]] | ||
2025년 10월 11일 (토) 13:49 기준 최신판
Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance
Narrative
The Jeonnam-Gwangju Art Collective Alliance emerged out of the May 18 Democratic Uprising and the Minjung art movement of the 1980s. The alliance consisted of ten university-based art groups, including Gaettangsoe, Tomal, Joseon Misul Teo, and Ttangkkeut from Chosun University, Sinparam, Bullabi, Chang, Uri Misul Yeonguhoe from Chonnam National University, Sotteo from Gwangju National University of Education, and May from Honam University. Their works, such as “Nine Screens-Struggle For the People’s Survival and the June Uprising”, highlighted their commitment to using art as a tool for social commentary and change. Through their connection to historical events like the May 18 Democratic Uprising, they influenced broader movements like the popular art movement and university art movement, cementing their place in the fight for democracy and human rights in their community.
Network Graph
