"E2024-G099"의 두 판 사이의 차이
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| − | =Minjung Art Forms: | + | =Minjung Art Forms: Banner Paintings= |
== Narrative == | == Narrative == | ||
| − | + | One of the key forms of [[민중미술|Minjung art]], or “people’s art,” is the [[걸개그림|banner painting (<i>geolgae geurim</i>)]]. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean [[괘불화|Buddhist hanging painting]] serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal Art Collective]] and [[미술패_마당|Madang Art Collective]], art collectives formed in the early 1980s at [[조선대학교|Chosun University]] and [[전남대학교|Chonnam National University]], respectively. These groups birthed significant works such as [[민중의_싸움-이_풍진세상을_만났으니|“Fight of the People-Having Met This Troubled World”]], crafted by the artists of Tomal, and [[오월에서_통일로|“From May to Unification”]], created by Madang. Each piece is a testament to the collective’s commitment to preserving the ethos of Minjung art, an art born out of the peoples’ struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice. | |
==Network Graph== | ==Network Graph== | ||
{{StoryGraph2 | title= E2024-G099 }} | {{StoryGraph2 | title= E2024-G099 }} | ||
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| + | == Resources == | ||
| + | {|class="wikitable" style="width:98%;word-break:break-all;" | ||
| + | ! type || resource || title || description/caption || URL | ||
| + | |- | ||
| + | | 해설 || MMCA Research Lab || Banner Painting || || https://mmcaresearch.kr/terms/view.do?fid=1192&code=terms5 | ||
| + | |} | ||
| + | |||
==Story Map== | ==Story Map== | ||
| + | *[[S2024-G013| Minjung Art: Visual Revolution and Social Awakening]] | ||
| + | ** [[E2024-G097|The Democratization Movement as Seen through Art: Minjung Art]] | ||
| + | ** [[E2024-G098|Minjung Art Forms: Woodcuts]] | ||
| + | ** [[E2024-G099|Minjung Art Forms: Hanging Paintings]] | ||
| + | ** [[E2024-G100|Minjung Art Forms: Murals]] | ||
| + | ** [[E2024-G102|Joining Together for Art: The Jeonnam-Gwangju Art Collective Alliance]] | ||
| + | ** [[E2024-G104|Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising]] | ||
[[분류:Story]] [[분류:이야기 조각]] [[분류:린지]] | [[분류:Story]] [[분류:이야기 조각]] [[분류:린지]] | ||
2025년 10월 11일 (토) 13:48 기준 최신판
Minjung Art Forms: Banner Paintings
Narrative
One of the key forms of Minjung art, or “people’s art,” is the banner painting (geolgae geurim). A number of banner paintings were made to convey and commemorate the events of the May 18 Democratic Uprising. These banner paintings, influenced by traditional Korean Buddhist hanging painting serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of Tomal Art Collective and Madang Art Collective, art collectives formed in the early 1980s at Chosun University and Chonnam National University, respectively. These groups birthed significant works such as “Fight of the People-Having Met This Troubled World”, crafted by the artists of Tomal, and “From May to Unification”, created by Madang. Each piece is a testament to the collective’s commitment to preserving the ethos of Minjung art, an art born out of the peoples’ struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
Network Graph
Resources
| type | resource | title | description/caption | URL |
|---|---|---|---|---|
| 해설 | MMCA Research Lab | Banner Painting | https://mmcaresearch.kr/terms/view.do?fid=1192&code=terms5 |
