"The Wailing (곡성)"의 두 판 사이의 차이

classics
이동: 둘러보기, 검색
(Awards and Nominations)
(Awards and Nominations)
79번째 줄: 79번째 줄:
 
|-
 
|-
 
| Best Music || Jang Young-gyu & Dalpalan || style="background: green; color: white;"| Nominated
 
| Best Music || Jang Young-gyu & Dalpalan || style="background: green; color: white;"| Nominated
 +
|-
 +
||rowspan=10 | 2016 || rowspan=5 | 37th Blue Dragon Film Awards || Best Film || The Wailing || style="background: green; color: white;"| Nominated
 
|-
 
|-
 
|
 
|

2022년 12월 21일 (수) 14:30 판

The Wailing
THEATRICAL RELEASE POSTER
Title (English) The Wailing
Title (Korean) 곡성
Title (Hanja) 哭聲
Directed by Na Hong-jin
Written by Na Hong-jin
Produced by Suh Dong-hyun
Kim Ho-sung
Starring Kwak Do-won
Hwang Jung-min
Chun Woo-hee
Jun Kunimura
Release date May 12, 20216 (South Korea)
Running time 156 minutes
Country South Korea
Language Korean
Japanese




Plot

Cast

Release and Reception

Release

Awards and Nominations

Year Award Category Nominee Result
2016 25th Buil Film Awards Best Film The Wailing Nominated
Best Director Na Hong-jin Nominated
Best Actor Kwak Do-won Nominated
Best Supporting Actor Hwang Jung-min Nominated
Best Supporting Actor Jun Jun Kunimura Nominated
Best Supporting Actress Chun Woo-hee Nominated
Best New Actress Kim Hwan-hee Nominated
Best Cinematography Hong Kyong-pyo Nominated
Best Art Direction Lee Hoo-kyeong Nominated
Best Music Jang Young-gyu & Dalpalan Nominated
rowspan=10 | 2016 37th Blue Dragon Film Awards Best Film The Wailing Nominated

Academic Analysis

곡성 vs 꼭성

The Korean title of The Wailing, 곡성, is an important element in setting the appropriate scene for the film, as well as bringing the director Na Hong-jin’s lived experience. Gokseong is a county situated in the southern part of the Korean peninsula in Jeollanam-do where, till this day, has been free of industrial influence. Na Hong-jin spent a large part of his childhood visiting Gokseong where his grandmother resided. During personal interviews, Hong-jin referenced his memory of the serene landscape that portrayed a feeling of living nature and high spirituality. Hong-jin explained that he vividly remembers how the land felt alive and that it could come to life and

Possession VS Zombie

According to Hisup Shin, author of “Monstrous National Allegory: The Making of Monstrous Otherness in Na Hong-jin’s The Wailing” the film differs from the popularized genre we see today. He states, “In contrast to the genre convention of mass contagion and apocalyptic narrative, the zombie sequence in the film from symptoms of infection/possession to zombification is a supernatural mystery that resonates with the spiritual or physical effects of horror. There is also no indication of establishing the social or symbolic meaning of zombification by linking it to any type of man-made errors.” The distinction Hisup Shin makes here is accurate, however, he continues to group The Wailing into the zombie genre. There is a distinct difference between zombies and those who are possessed, and the film should be categorized in the occult genre. To understand why, it is important to analyze the differences between a zombie and one who is possessed.

Zombie

Possession

Spirituality

Colonial Trauma

Bibliography

References

External Links