"The Wailing (곡성)"의 두 판 사이의 차이
classics
43번째 줄: | 43번째 줄: | ||
| Best Supporting Actor || Jun Kunimura || style='background: green; color: white;"| Nominated | | Best Supporting Actor || Jun Kunimura || style='background: green; color: white;"| Nominated | ||
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− | | | + | | Best Supporting Actress || Chun Woo-hee || || style="background: green; color: white;"| Nominated |
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− | | | + | | Best New Actress || Kim Hwan-hee || style="background: green; color: white;"| Nominated |
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− | | | + | | Best Cinematography || Hong Kyong-pyo || stlye="background: green; color: white;"| Nominated |
+ | | Best Art Direction || Lee Hoo-kyeong || style="background: green; color: white;"| Nominated | ||
+ | | Best Music || Jang Young-gyu & Dalpalan || style="background: green; color: white;"| Nominated | ||
|- | |- | ||
− | | rowspan=2 | | + | | rowspan=2 | 37th Blue Dragon Film Awards || rowspan=2 | Golden Train Award || Kim Ki-duk (Jury Prize)|| style="background: green; color: white;"| Won |
|- | |- | ||
| Kim Ki-duk (Best Film) || Nominated | | Kim Ki-duk (Best Film) || Nominated |
2022년 12월 21일 (수) 12:16 판
The Wailing | |
Title (English) | The Wailing |
---|---|
Title (Korean) | 곡성 |
Title (Hanja) | 哭聲 |
Directed by | Na Hong-jin |
Written by | Na Hong-jin |
Produced by | Suh Dong-hyun Kim Ho-sung |
Starring | Kwak Do-won Hwang Jung-min Chun Woo-hee Jun Kunimura |
Release date | May 12, 20216 (South Korea) |
Running time | 156 minutes |
Country | South Korea |
Language | Korean Japanese |
목차
Plot
Cast
Release and Reception
Awards and Nominations
Year | Award | Category | Nominee | Result | ||||
---|---|---|---|---|---|---|---|---|
2016 | 25th Buil Film Awards | Best Film | The Wailing | Nominated | ||||
Best Director | Na Hong-jin | Nominated | ||||||
Best Actor | Kwak Do-won | Nominated | ||||||
Best Supporting Actor | Hwang Jung-min | Nominated | ||||||
Best Supporting Actor | Jun Kunimura | Nominated | ||||||
Best Supporting Actress | Chun Woo-hee | Nominated | ||||||
Best New Actress | Kim Hwan-hee | Nominated | ||||||
Best Cinematography | Hong Kyong-pyo | Nominated | Best Art Direction | Lee Hoo-kyeong | Nominated | Best Music | Jang Young-gyu & Dalpalan | Nominated |
37th Blue Dragon Film Awards | Golden Train Award | Kim Ki-duk (Jury Prize) | Won | |||||
Kim Ki-duk (Best Film) | Nominated | |||||||
2004 | Bangkok International Film Festival | Golden Kinnaree Award | Kim Ki-duk/Best Film | Nominated | ||||
Camerimage | Golden Frog | Bae Dong-hyeon | Won | |||||
Grand Bell Awards, South Korea | Grand Bell Award | Best Film | Won | |||||
Las Palmas Film Festival | Golden Lady Harimaguada | Kim Ki-duk | Won | |||||
Pacific Meridian International Film Festival of Asia Pacific Countries | Grand Prix | Kim Ki-duk | Won | |||||
Russian Guild of Film Critics | Golden Aries/Best Foreign Film | Kim Ki-duk | Won | |||||
Satellite Awards | Golden Satellite Award | Best Motion Picture, Foreign Language | Nominated | |||||
2005 | Argentinean Film Critics Association Awards | Silver Condor/Best Foreign Film, Not in the Spanish Language (Mejor Película Extranjera en Idioma no Español) | Kim Ki-duk | Won | ||||
Association of Polish Filmmakers Critics Awards | Honorable Mention/Best Foreign film | Kim Ki-duk | Won | |||||
Chlotrudis Awards | Best Movie | Kim Ki-duk | Won | |||||
Best Cinematography | Baek Dong-hyun | Won | ||||||
Italian Online Movie Awards (IOMA) | Best Cinematography (Miglior fotografia) | Baek Dong-hyun | Nominated | |||||
2006 | Bodil Awards | Best Non-American Film (Bedste ikke-amerikanske film) | Kim Ki-duk | Nominated | ||||
Danish Film Awards (Robert) | Best Non-American Film (Årets ikke-amerikanske film) | Kim Ki-duk | Nominated | |||||
Sofia International Film Festival | Burgas Municipality Award 'Silver Sea-Gull' | Kim Ki-duk | Won |
Academic Analysis
곡성 vs 꼭성
The Korean title of The Wailing, 곡성, is an important element in setting the appropriate scene for the film, as well as bringing the director Na Hong-jin’s lived experience. Gokseong is a county situated in the southern part of the Korean peninsula in Jeollanam-do where, till this day, has been free of industrial influence. Na Hong-jin spent a large part of his childhood visiting Gokseong where his grandmother resided. During personal interviews, Hong-jin referenced his memory of the serene landscape that portrayed a feeling of living nature and high spirituality. Hong-jin explained that he vividly remembers how the land felt alive and that it could come to life and