|
|
30번째 줄: |
30번째 줄: |
| | | |
| =='''Awards and Nominations'''== | | =='''Awards and Nominations'''== |
− | {|class="wikitable" style="text-align:center"
| |
− | ! Year || Award || Category || Nominee || Result
| |
− | |-
| |
− | |rowspan=10 | 2016 || rowspan=5 | 25th Buil Film Awards || Best Film || The Wailing || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Director || Na Hong-jin || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Actor || Kwak Do-won || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Supporting Actor || Hwang Jung-min || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Supporting Actor || Jun Kunimura || style='background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Supporting Actress || Chun Woo-hee || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best New Actress || Kim Hwan-hee || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Cinematography || Hong Kyong-pyo || stlye="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Art Direction || Lee Hoo-kyeong || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | Best Music || Jang Young-gyu & Dalpalan || style="background: green; color: white;"| Nominated
| |
− | |-
| |
− | | rowspan=2 | 37th Blue Dragon Film Awards || rowspan=2 | Golden Train Award || Kim Ki-duk (Jury Prize)|| style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Kim Ki-duk (Best Film) || Nominated
| |
− | |-
| |
− | | rowspan=7 | 2004 || Bangkok International Film Festival || Golden Kinnaree Award || Kim Ki-duk/Best Film || Nominated
| |
− | |-
| |
− | | Camerimage || Golden Frog || Bae Dong-hyeon || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Grand Bell Awards, South Korea || Grand Bell Award || Best Film || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Las Palmas Film Festival || Golden Lady Harimaguada || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Pacific Meridian International Film Festival of Asia Pacific Countries || Grand Prix || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Russian Guild of Film Critics || Golden Aries/Best Foreign Film || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Satellite Awards || Golden Satellite Award || Best Motion Picture, Foreign Language || Nominated
| |
− | |-
| |
− | | rowspan= 5 | 2005 || Argentinean Film Critics Association Awards || Silver Condor/Best Foreign Film, Not in the Spanish Language (Mejor Película Extranjera en Idioma no Español) || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Association of Polish Filmmakers Critics Awards || Honorable Mention/Best Foreign film || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | rowspan=2 | Chlotrudis Awards || Best Movie || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Best Cinematography || Baek Dong-hyun || style="background: green; color: white;"| Won
| |
− | |-
| |
− | | Italian Online Movie Awards (IOMA) || Best Cinematography (Miglior fotografia) || Baek Dong-hyun || Nominated
| |
− | |-
| |
− | | rowspan=3 | 2006 || Bodil Awards || Best Non-American Film (Bedste ikke-amerikanske film) || Kim Ki-duk || Nominated
| |
− | |-
| |
− | | Danish Film Awards (Robert) || Best Non-American Film (Årets ikke-amerikanske film) || Kim Ki-duk || Nominated
| |
− | |-
| |
− | | Sofia International Film Festival || Burgas Municipality Award 'Silver Sea-Gull' || Kim Ki-duk || style="background: green; color: white;"| Won
| |
− | |}
| |
| | | |
| | | |
The Korean title of The Wailing, 곡성, is an important element in setting the appropriate scene for the film, as well as bringing the director Na Hong-jin’s lived experience. Gokseong is a county situated in the southern part of the Korean peninsula in Jeollanam-do where, till this day, has been free of industrial influence. Na Hong-jin spent a large part of his childhood visiting Gokseong where his grandmother resided. During personal interviews, Hong-jin referenced his memory of the serene landscape that portrayed a feeling of living nature and high spirituality. Hong-jin explained that he vividly remembers how the land felt alive and that it could come to life and