"(2017Translation) 率居"의 두 판 사이의 차이

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=='''Translation'''==
 
=='''Translation'''==
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==='''(sample) : Young Kyun Oh'''===
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=='''(2017) Translation'''==
  
  
159번째 줄: 257번째 줄:
  
 
Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.
 
Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.
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2018년 7월 3일 (화) 02:25 판


Original Script

率居, 新羅人, 所出微, 故不記其族系, 生而善畫, 嘗於皇龍寺壁畫老松, 體幹鱗皴, 枝葉盤屈, 烏鳶燕雀, 往往望之飛入, 及到, 蹭蹬而落, 歲久色暗, 寺僧以丹靑補之, 烏雀不復至, 又慶州芬皇寺觀音菩薩晉州斷俗寺維麾像, 皆其筆蹟, 世傳爲神畫. 《三國史記.卷48》


Translation

(sample) : Young Kyun Oh


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Student 11 : (Write your name)


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Student 14 : (Write your name)


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