(Translation) 茶山 贈言帖

Introduction

Original Script

Image	Text	Translation
	◎ 老頭陀面壁念佛, 忽思世間夫婦, 對飯同被, 歡樂無比. 錫杖下山, 忽見井上有黃頭黑面, 如九子魔母者, 散髮痛哭. 詢之, 與夫鬨也. 頭陀色然駭, 回上山來.
	◎ “花濃春寺靜, 竹細野塘幽.” 此春日禪參話頭也. “秋水淸無底, 蕭然淨客心.” 此秋日竪拂戒語也. 常誦此二聯, 不患不頓悟也.
	◎ 道烜比丘性機警. 紫霞山人曰: “慧者鈍之根, 巧者拙之本. 女知之乎? 神秀穎悟, 而槽廠笨夫, 先獲衣鉢, 女知之乎? 鈍拙者, 成德之基.”
	◎ 洌上山水淸曠, 騷人墨客, 日歗詠于其中. 但乏高僧韻釋. 若令騎魚輩, 結一菴於石林水鍾之間, 與之往還, 豈非酉山社中賞心樂事也.
	◎ 每到雲吉山房, 見禪室閴然, 黃葉堆窓, 無一箇頭陀. 忽憶兒葊舊約, 爲之愴悢良久. 余之輓兒盦詩曰: “園留瓔珞穿花逕, 渚繫袈裟泛月船.” 盖恨之也.
	◎ 蕙圃詩云: “未花院落生紅暈, 旣雨林園長碧條.” 有風流宰相氣味, 都下諸公, 皆盛稱之. 蕙圃卽都承旨韓公, 曾撰華嶽醉如兩禪師碑銘.
	◎ 楊根之小雪山, 有太古普愚和尙舊基. 欹礎猶宛然. 今若搆一小菴, 安新鍍小菩薩一軀, 移藏翁覃溪詩集, 足可爲畿甸名釋. 其圖之哉.
	◎ 嘉慶二十年乙亥秋季, 書于茶山之松菴, 以贈慈宏和尙.

Translation

Student 1 : Irina

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• Discussion Questions:

Make difference between values in Buddhist world and values in our world.

--How about: "What are the fundamental differences between the goals of a Buddhist monk and the secular pursuits of a Confucian scholar?" (SJY)

Student 2 : Masha

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• Discussion Questions:

What is the role of nature in Buddhist training? How is it opposed to daily life?

---How about: "What roles does nature play in the Buddhist method of self-improvement? How does the monastic life of a Buddhist monk compare with the secular life of lay people? (SJY)

Student 3 : Jong Woo Park

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• Discussion Questions:

(1) What might be the power dynamic between Buddhist monks and Confucian literati in the late Chosŏn period? (2) What kind of feeling does Chŏng, a talented but ostracized yangban, share with a local Buddhist monk, Jahong?

Student 4 : King Kwong Wong

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洌上山水淸曠, 騷人墨客, 日歗詠于其中. 但乏高僧韻釋. 若令騎魚輩, 結一菴於石林水鍾之間, 與之往還, 豈非酉山社中賞心樂事也.

Along Yŏlsu, the rivers are clear and the mountains are extensive. From day to day, poets and writers recite and chant [their poems] in between [the rivers and mountains]. But they lack lofty priests and rhyming monks. If asking Ki-Ŏ and his friends to build a hermitage between the Stone Forest and the Water Bell, and to socialize with the poets and writers, isn't this a delightful matter that pleases the hearts of those in the literary society of Yusan?

• Discussion Questions:

1. If we consider Buddhists were stigmatized in the Choson society, how can we explain Chŏng Yag-yong's relationship with Buddhist monks?
2. Given the example of Chŏng Yag-yong, were all Confucian scholars well-versed in Buddhist ideas?

Student 5 : Kim Young

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• Discussion Questions:

1. Why do you think Jeong Yag-yong is skeptical of sudden enlightenment? What kind of negative effect can it have on men?

2. How important is beautiful scenary in jeong Yag-yong's idea of meditation? How does he use language to describe the scenery effectively?

Student 6 : Zhijun Ren

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• Discussion Questions:

What does Dasan’s defense of gradual enlightenment against sudden enlightenment tell us about the interaction between Buddhism and Confucianism in Chosŏn society? Given that Buddhism, in general, was oppressed during Chosŏn dynasty, what Dasan, a prominent Confucian, and his active engagement with Buddhism tell us about the mutual penetration during Chosŏn.

Student 7 : Kanghun Ahn

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• Discussion Questions:

His calligraphic style seems to be quite similar to that of Mifu. Granted that he corresponded with a Chan monk through these letters, did he really take on such style based on that?

Translation: Venerable Dohwon is sharp-witted. Jahasanin said: “Dullness is the root of wisdom; Clumsiness is the origin of ingenuity.” Do you know what it is? Venerable Shenxiu was (considered) perspicacious.1) However, it was Venerable Huineng who first inherited the legacy (lit. mantled alms bowl) from the master.2) Have you heard of it? (Therefore,) dullness and clumsiness is the foundation of achieving virtue.

1)This perspicacious-ness is deeply engaged with the Chan notion of "sudden enlightenment (頓悟)." Zen Master Shen Xiu (?~706) was a Tang Buddhist monk, who is considered as the progenitor of the Northern Chan Order (北宗禪).

2) Zen Master Huineng (638~713) was a Tang Buddhist monk, who is the sixth patriarch of Chan Buddhism, and also founding father of the Northern Chan Order (南宗禪).

Student 8 : Martin

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• Discussion Questions:

1. Besides giving advice to Buddhist monks seeking enlightenment, how does Tasan portray the non-buddhist world?

Student 9 : Hu Jing

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• Discussion Questions:

1. How was the relationship between Dasan and Monk Jahong? Besides Jahong, did Dasan make acquaintence with other monks? Was there any network among those people?

2. Did Monk Jahong ever give respose to Dasan? and can we find any reference source?

Student 10 : Young Suk

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每到雲吉山房, 見禪室閴然, 黃葉堆窓, 無一箇頭陀. 忽憶兒葊舊約, 爲之愴悢良久. 余之輓兒盦詩曰: “園留瓔珞穿花逕, 渚繫袈裟泛月船.” 盖恨之也.

When I reach the Hermitage of Cloud Delight Mountain

Each time I see the meditation room so hollow.

The stacks of yellow leaves on the window sill

Not a single monk ever shown.

Suddenly I remember the old promise

With Aam. Thus I stay for a long lamenting.

In memory of Aam I wrote this verse:

"Piercing the flowery paths your bead necklace is still there,

and your monk robe is still hanging on a moonlit boat."

I was overwhelmed by sorrow.

• ‘old promise with Aam': Dasan met the monk Aam Hyejang (兒菴 惠藏, 1772~1811) during his exile in Kangjin in South Chŏlla Province. Becoming good friends they promised each other that someday they would come to live together in the hermitage of Un'gil (cloud delight) mountain. This promise was not kept due to Hyejang's death at age forty. Dasan now tells the story to Chahong (慈弘), one of Hyejang's disciples.

• Discussion Questions:

What is Dasan's idea of dull and slow vs sharp and quick cultivation of mind? How is it related to Nature?

Student 11 : (Write your name)

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• Discussion Questions:

1. What is the intention of Dassan writing these poems? What are the messages of Dasan to people, not just monks? 2. Nature is the constant source of poems. What did Dasan mean by using nature as a metaphor? 3. How did Dassan perceive Buddhism? What is his relationship to buddhist monks?

Student 12 : Do hee jeong

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• Discussion Questions:

종교문제로 유배를 간 사람이 왜 불교에 대해서 논하였는가? why he said buddhist word? he exile cause religious problem

Student 13 : (Poem # 6: Jinsook & Soyeon)

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蕙圃詩云: “未花院落生紅暈, 旣雨林園長碧條.” 有風流宰相氣味, 都下諸公, 皆盛稱之. 蕙圃卽都承旨韓公, 曾撰華嶽醉如兩禪師碑銘
Hyepo's poem says:

"Before blooming, the reddish hues radiate around the folly in the garden.

After raining, the green twigs grow in the sylvan hills".

Having the artistic taste and demeanor worth of prime minister, he was passionately praised by all the dukes in the capital area. Hyepo is Duke Han, First Royal Secretary, who has written the epitaphs for two master monks, Hwaok and Chiyeo.

• Discussion Questions:

Further Readings

• View together with (Korean text) King Yeongjo’s Admonition for the People” (Eoje gyeongmineum 御製警民音, 1762)
• View together with (Translation) King Jeongjo, “Royal dictum to encourage farming” (Gweonnong yuneum 勸農綸音, 1781)