한복의 기본 구조와 각 부분의 명칭 - 편집 역사

Lyndsey: /* Eng */

2025-12-29T07:26:48Z

‎Eng

Lyndsey: /* 해설 */

2025-12-29T07:23:04Z

‎해설

2025년 11월 8일 (토) 04:45에 Haewonk님의 편집

2025-11-08T04:45:38Z

Lyndsey: /* Eng */

2025-11-06T09:04:46Z

‎Eng

Lyndsey: /* 관련정보 */

2025-10-20T08:18:14Z

‎관련정보

Lyndsey: /* 관련정보 */

2025-10-20T08:09:30Z

‎관련정보

Lyndsey: /* 관련정보 */

2025-10-16T11:41:50Z

‎관련정보

Lyndsey: /* 관련정보 */

2025-10-16T11:35:42Z

‎관련정보

Lyndsey: /* 관련정보 */

2025-10-16T11:34:12Z

‎관련정보

Lyndsey: /* 해설 */

2025-10-15T06:05:26Z

‎해설

@@ 12번째 줄: / 12번째 줄: @@
 Hanbok is traditional Korean attire, fundamentally consisting of an upper garment and a lower garment such as a skirt or pants. Each component has its own distinct name and form, which together create the characteristic beauty of hanbok. The hanbok described here is primarily based on attire of the late Joseon period (1392-1910).
-The upper garment, called <i>jeogori</i>, is worn by both men and women and comprises several parts: the body panel (<i>gil</i>), collar (<i>git</i>), white collar trim (<i>dongjeong</i>), front panel (<i>seop</i>), sleeves (<i>somae</i>), and ties (<i>goreum</i>). The <i>gil</i> forms the front and back body panels, to which the <i>seop</i>, <i>git</i>, sleeves, and <i>goreum</i> are attached. The <i>dongjeong</i> is a white fabric attached to the collar symbolizing cleanliness, while the <i>seop</i> is an additional panel on the front overlapping section. The sleeves are characteristically wide and roomy, allowing free movement. The <i>goreum</i> are long ties used to fasten the <i>jeogori</i> by tying them into a decorative knot. As we see today, women's <i>jeogori</i> are shorter and more fitted, while men's versions are longer and looser. The shapes of the <i>jeogori</i> collar and sleeve edges varied greatly, the length changed over time, and diverse types existed depending on decorative elements and materials.
+The upper garment, called <i>jeogori</i>, is worn by both men and women and comprises several parts: the body panel (<i>gil</i>), collar (<i>git</i>), white collar trim (<i>dongjeong</i>), front panel (<i>seop</i>), sleeves (<i>somae</i>), and ties (<i>goreum</i>). The <i>gil</i> forms the front and back body panels, to which the <i>seop</i>, <i>git</i>, sleeves, and <i>goreum</i> are attached. The <i>dongjeong</i> is a white fabric attached to the collar symbolizing cleanliness, while the <i>seop</i> is an additional panel on the front overlapping section. The sleeves are characteristically wide and roomy, allowing free movement. The <i>goreum</i> are long ties used to fasten the <i>jeogori</i> by tying them into a decorative knot. As we see today, women’s <i>jeogori</i> are shorter and more fitted, while men’s versions are longer and looser. The shapes of the <i>jeogori</i> collar and sleeve edges varied greatly, the length changed over time, and diverse types existed depending on decorative elements and materials.
-The skirt, called <i>chima</i>, is a women's lower garment extending from the waist to the ankles. It features pleats that create graceful curves with movement. Pants, or <i>baji</i>, are primarily worn by men and are characterized by wide legs and comfortable fit. The overcoat, <i>durumagi</i>, is worn over the <i>jeogori</i> by both men and women for formal occasions or when going outdoors.
+The skirt, called <i>chima</i>, is a women’s lower garment extending from the waist to the ankles. It features pleats that create graceful curves with movement. Pants, or <i>baji</i>, are primarily worn by men and are characterized by wide legs and comfortable fit. The overcoat, <i>durumagi</i>, is worn over the <i>jeogori</i> by both men and women for formal occasions or when going outdoors.
 Undergarments include the inner jacket (<i>jeoksam</i>), worn beneath the <i>jeogori</i> by both men and women. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.

@@ 1번째 줄: / 1번째 줄: @@
 =='''해설'''==
 ===Kor===
-한복은 한국의 전통 의상으로, 기본적으로 저고리와 치마 또는 바지로 구성된다. 각 구성 요소는 고유한 명칭과 형태를 가지고 있으며, 이들이 조화를 이루어 한복 고유의 아름다움을 만들어낸다.
+한복은 한국의 전통 의상으로, 기본적으로 저고리와 치마 또는 바지로 구성된다. 각 구성 요소는 고유한 명칭과 형태를 가지고 있으며, 이들이 조화를 이루어 한복 고유의 아름다움을 만들어낸다. 여기서 설명하는 한복은 주로 조선후기 한복을 기준으로 한다.
-저고리는 한복의 상의로, 남녀 모두 착용한다. 저고리는 깃, 동정, 섶, 소매, 고름 등으로 구성된다. 깃은 저고리의 목둘레 부분을 말하며, 동정은 깃에 덧대는 흰색 천으로 청결함을 상징한다. 섶은 저고리 앞쪽 여밈 부분에 덧대는 천이며, 소매는 팔을 넣는 부분으로 넓고 여유로운 형태가 특징이다. 고름은 저고리를 여미는 긴 끈으로, 매듭을 지어 고정한다. 여성용 저고리는 짧고 품이 좁은 반면, 남성용 저고리는 길이가 길고 품이 넓다.
+저고리는 한복의 상의로, 남녀 모두 착용한다. 저고리는 길, 깃, 동정, 섶, 소매, 고름 등으로 구성된다. 길은 앞뒤 몸판을 이루는 부분으로, 여기에 섶, 깃, 소매, 고름이 부착된다. 깃은 저고리의 목둘레 부분을 말하며, 동정은 깃에 덧대는 흰색 천으로 청결함을 상징한다. 섶은 저고리 앞쪽 여밈 부분에 덧대는 천이며, 소매는 팔을 넣는 부분으로 넓고 여유로운 형태가 특징이다. 고름은 저고리를 여미는 긴 끈으로, 매듭을 지어 고정한다. 현재 우리가 보는 여성용 저고리는 짧고 품이 좁은 반면, 남성용 저고리는 길이가 길고 품이 넓다. 저고리는 깃과 소매의 배래 모양이 매우 다양하며, 시대에 따라 길이도 변화하였고, 장식적 요소와 소재에 따라 다양한 종류가 존재했다.
 치마는 여성이 착용하는 하의로, 허리에서 발목까지 길게 내려오는 형태다. 치마는 주름이 잡혀 있어 움직임에 따라 우아한 곡선을 만든다. 바지는 남성이 주로 착용하는 하의로, 통이 넓고 편안한 착용감이 특징이다. 두루마기는 저고리 위에 입는 겉옷으로, 남녀 모두 착용하며 외출 시나 의례 시 격식을 갖추기 위해 입는다.
-한복의 속옷으로는 적삼이 있으며, 이는 저고리 안에 입는 옷이다. 바지저고리는 속옷으로 입는 바지와 저고리를 함께 일컫는 말이다. 이처럼 한복은 겉옷과 속옷이 층을 이루며 착용되고, 각 부분의 명칭과 역할이 명확하게 구분되어 있다. 한복의 구조는 인체의 움직임을 자유롭게 하면서도 단정한 형태를 유지하도록 설계되어 있으며, 이는 한국 전통 복식 문화의 실용성과 미적 감각을 동시에 보여준다.
+한복의 속옷으로는 남녀 모두 입는 적삼이 있으며, 이는 저고리 안에 입는 옷이다. 이처럼 한복은 겉옷과 속옷이 층을 이루며 착용되고, 각 부분의 명칭과 역할이 명확하게 구분되어 있다. 한복의 구조는 인체의 움직임을 자유롭게 하면서도 단정한 형태를 유지하도록 설계되어 있으며, 이는 한국 전통 복식 문화의 실용성과 미적 감각을 동시에 보여준다.
 ===Eng===
-Hanbok is traditional Korean attire, fundamentally consisting of an upper garment and a lower garment such as a skirt or pants. Each component has its own distinct name and form, which together create the characteristic beauty of hanbok.
+Hanbok is traditional Korean attire, fundamentally consisting of an upper garment and a lower garment such as a skirt or pants. Each component has its own distinct name and form, which together create the characteristic beauty of hanbok. The hanbok described here is primarily based on attire of the late Joseon period (1392-1910).
-The upper garment, called <i>jeogori</i>, is worn by both men and women and comprises several parts: the collar (<i>git</i>), white collar trim (<i>dongjeong</i>), front panel (<i>seop</i>), sleeves (<i>somae</i>), and ties (<i>goreum</i>). The <i>dongjeong</i> is a white fabric attached to the collar symbolizing cleanliness, while the <i>seop</i> is an additional panel on the front overlapping section. The sleeves are characteristically wide and roomy, allowing free movement. The <i>goreum</i> are long ties used to fasten the <i>jeogori</i> by tying them into a decorative knot. Women’s <i>jeogori</i> are shorter and more fitted, while men’s versions are longer and looser.
+The upper garment, called <i>jeogori</i>, is worn by both men and women and comprises several parts: the body panel (<i>gil</i>), collar (<i>git</i>), white collar trim (<i>dongjeong</i>), front panel (<i>seop</i>), sleeves (<i>somae</i>), and ties (<i>goreum</i>). The <i>gil</i> forms the front and back body panels, to which the <i>seop</i>, <i>git</i>, sleeves, and <i>goreum</i> are attached. The <i>dongjeong</i> is a white fabric attached to the collar symbolizing cleanliness, while the <i>seop</i> is an additional panel on the front overlapping section. The sleeves are characteristically wide and roomy, allowing free movement. The <i>goreum</i> are long ties used to fasten the <i>jeogori</i> by tying them into a decorative knot. As we see today, women's <i>jeogori</i> are shorter and more fitted, while men's versions are longer and looser. The shapes of the <i>jeogori</i> collar and sleeve edges varied greatly, the length changed over time, and diverse types existed depending on decorative elements and materials.
-The skirt, called <i>chima</i>, is a women’s lower garment extending from the waist to the ankles. It features pleats that create graceful curves with movement. Pants, or <i>baji</i>, are primarily worn by men and are characterized by wide legs and comfortable fit. The overcoat, <i>durumagi</i>, is worn over the <i>jeogori</i> by both men and women for formal occasions or when going outdoors.
+The skirt, called <i>chima</i>, is a women's lower garment extending from the waist to the ankles. It features pleats that create graceful curves with movement. Pants, or <i>baji</i>, are primarily worn by men and are characterized by wide legs and comfortable fit. The overcoat, <i>durumagi</i>, is worn over the <i>jeogori</i> by both men and women for formal occasions or when going outdoors.
-Undergarments include the inner jacket (<i>jeoksam</i>), worn beneath the <i>jeogori</i>, and <i>baji-jeogori</i>, which refers to undergarments worn as a base layer. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.
+Undergarments include the inner jacket (<i>jeoksam</i>), worn beneath the <i>jeogori</i> by both men and women. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.
 =='''시맨틱 네트워크'''==

← 이전 판		2025년 11월 8일 (토) 04:45 판
17번째 줄:		17번째 줄:

	Undergarments include the inner jacket (<i>jeoksam</i>), worn beneath the <i>jeogori</i>, and <i>baji-jeogori</i>, which refers to undergarments worn as a base layer. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.		Undergarments include the inner jacket (<i>jeoksam</i>), worn beneath the <i>jeogori</i>, and <i>baji-jeogori</i>, which refers to undergarments worn as a base layer. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.
		+
		+	=='''시맨틱 네트워크'''==
		+	* https://app.vaquitalab.com/aistory/story03?server=tcp:data.kinfohub.com&db=kinfo2025&project=kinfo&key=KE2025-089

	=='''관련정보'''==		=='''관련정보'''==

@@ 16번째 줄: / 16번째 줄: @@
 The skirt, called <i>chima</i>, is a women’s lower garment extending from the waist to the ankles. It features pleats that create graceful curves with movement. Pants, or <i>baji</i>, are primarily worn by men and are characterized by wide legs and comfortable fit. The overcoat, <i>durumagi</i>, is worn over the <i>jeogori</i> by both men and women for formal occasions or when going outdoors.
-Undergarments include the <i>jeoksam</i>, worn beneath the <i>jeogori</i>, and <i>baji-jeogori</i>, which refers to undergarments worn as a base layer. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.
+Undergarments include the inner jacket (<i>jeoksam</i>), worn beneath the <i>jeogori</i>, and <i>baji-jeogori</i>, which refers to undergarments worn as a base layer. Hanbok thus consists of multiple layers with clearly defined roles for each component. The structure of hanbok is designed to allow freedom of movement while maintaining a neat appearance, demonstrating both the practicality and aesthetic sensibility of traditional Korean clothing culture.
 =='''관련정보'''==

@@ 25번째 줄: / 25번째 줄: @@
 * Korea Cultural Heritage Foundation > Arumjigi > Google Arts & Culture > Jeogori, and Stories About Materials. https://artsandculture.google.com/story/jeogori-and-stories-about-materials-arumjigi-culture-keepers-foundation/_QVh008cNieELw?hl=en (출처: 한국문화재단)
 * Daegu National Museum > Exhibitions > Permanent Exhibitions > Clothing Culture Hall. https://daegu.museum.go.kr/eng/sub02_01_03_01.do (출처: 국립대구박물관)
 [[분류: K-info Hub]]

@@ 21번째 줄: / 21번째 줄: @@
 * Korea.net > About Korea > Lifestyle > Clothing and Fashion. https://www.korea.net/AboutKorea/Korean-Life/Clothing (출처: 문화체육관광부)
 * Korea.net > News Focus > Culture > Hanbok embodies age-old philosophies. https://www.korea.net/NewsFocus/Culture/view?articleId=117325 (출처: 문화체육관광부)
 * Visit Korea > Traditional Activities & Programs > Hanbok Programs. https://english.visitkorea.or.kr/svc/contents/contentsView.do?vcontsId=129527 (출처: 한국관광공사)
 * Academy of Korean Studies > CEFIA Webzine > Focus > The Development of Korea’s Traditional Clothing Culture - 1 / Changes in Traditional Korean Dress over Time. https://www.aks.ac.kr/cefia/webzine/2402/focus_eng.html (출처: 한국학중앙연구원)

← 이전 판		2025년 10월 16일 (목) 11:34 판
19번째 줄:		19번째 줄:

	=='''관련정보'''==		=='''관련정보'''==
		+	* Korea.net > About Korea > Lifestyle > Clothing and Fashion. https://www.korea.net/AboutKorea/Korean-Life/Clothing (출처: 문화체육관광부)
		+	* Korea.net > News Focus > Culture > Hanbok embodies age-old philosophies. https://www.korea.net/NewsFocus/Culture/view?articleId=117325 (출처: 문화체육관광부)
		+	* Korea.net > News Focus > Honorary Reporters > 6 types of Hanbok that can be worn today. https://www.korea.net/NewsFocus/HonoraryReporters/view?articleId=192651 (출처: 문화체육관광부)
		+	* Visit Korea > Traditional Activities & Programs > Traditional Korean Clothes. https://english.visitkorea.or.kr/enu/AKR/AK_ENG_2_2.jsp (출처: 한국관광공사)
		+	* Visit Korea > Traditional Activities & Programs > Hanbok Programs. https://english.visitkorea.or.kr/svc/contents/contentsView.do?vcontsId=129527 (출처: 한국관광공사)
		+	* Visit Korea > Shopping > Traditional Items. https://english.visitkorea.or.kr/enu/SHP/SH_ENG_3_3.jsp (출처: 한국관광공사)
		+	* Academy of Korean Studies > CEFIA Webzine > Focus > Toward Globalization of Korean Studies. https://www.aks.ac.kr/cefia/webzine/2402/focus_eng.html (출처: 한국학중앙연구원)
		+	* Korea Cultural Heritage Foundation > Arumjigi > Google Arts & Culture > Jeogori, and Stories About Materials. https://artsandculture.google.com/story/jeogori-and-stories-about-materials-arumjigi-culture-keepers-foundation/_QVh008cNieELw?hl=en (출처: 한국문화재단)
		+	* Daegu National Museum > Exhibitions > Permanent Exhibitions > Clothing Culture Hall. https://daegu.museum.go.kr/eng/sub02_01_03_01.do (출처: 국립대구박물관)

	[[분류: K-info Hub]]		[[분류: K-info Hub]]