http://dh.aks.ac.kr/~hiblue/wiki/api.php?action=feedcontributions&feedformat=atom&user=Lyndsey 2026-04-15T02:15:05Z 사용자 기여 MediaWiki 1.27.4 http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1966 2018-08-07T07:15:10Z

<p>Lyndsey: </p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archives and museums did outreach through exhibitions, lecture, presentations, etc. Then, virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, to transform the relationship between museums and audiences. (Ex: [https://www.brooklynmuseum.org/exhibitions/click/ Brooklyn Museum's Click! Exhibition in 2009]). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> 소셜미디어(social media)는 관객들이 콘텐츠와 소통하고 서로 네트워킹을 더 편리하게 만들었다. <br /> World Wide Web 이전에는 아카이브와 박물관들이 전시, 강의, 발표 등을 통해 아웃리치(outreach)하였다.<br /> 그러나 가상 전시가 가능해지면서 더욱 먼 관객과 소통하고 더욱 창의적인 큐레이션을 할 수 있게 되었다. <br /> SNS가 발전되면서 관객과 박물관 사의의 관계를 변형시켰다. <br /> 기관 포함한 사용자는 SNS 간에 네트워킹을 할 수 있다. <br /> Cross-curation은 자동 피드와 인간의 행위로 이루어진 네트워크 간에 관객들을 연결할 수 있음의 결과이며 주제의 viral성이 형상시켜서...<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일에 서비스가 종료되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.<br /> <br /> ==토론 거리==<br /> #우리의 한국 디지털 인문학 또는 글로벌 한국학 사회적 네트워크는 어떤 기관, 어떤 인물, 어떤 플랫폼으로 이루어지나요?<br /> #우리는 SNS 거의 안 쓰고 있는데...<br /> ##우리가 SNS 쓸 필요가 있나요?<br /> ##써야 된다고 치면 어떤 SNS 플랫폼에서 어떤 콘텐츠를 공유하면 좋을까요?<br /> <br /> http://www.digitalhumanities.org/companion/</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1965 2018-08-07T07:04:25Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archives and museums did outreach through exhibitions, lecture, presentations, etc. Then, virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, to transform the relationship between museums and audiences. (Ex: [https://www.brooklynmuseum.org/exhibitions/click/ Brooklyn Museum's Click! Exhibition in 2009]). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> 소셜미디어(social media)는 관객들이 콘텐츠와 소통하고 서로 네트워킹을 더 편리하게 만들었다. <br /> World Wide Web 이전에는 아카이브와 박물관들이 전시, 강의, 발표 등을 통해 아웃리치(outreach)하였다.<br /> 그러나 가상 전시가 가능해지면서 더욱 먼 관객과 소통하고 더욱 창의적인 큐레이션을 할 수 있게 되었다. <br /> SNS가 발전되면서 관객과 박물관 사의의 관계를 변형시켰다. <br /> 기관 포함한 사용자는 SNS 간에 네트워킹을 할 수 있다. <br /> Cross-curation은 자동 피드와 인간의 행위로 이루어진 네트워크 간에 관객들을 연결할 수 있음의 결과이며 주제의 viral성이 형상시켜서...<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일에 서비스가 종료되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.<br /> <br /> ==토론 거리==<br /> #우리의 한국 디지털 인문학 또는 글로벌 한국학 사회적 네트워크는 어떤 기관, 어떤 인물, 어떤 플랫폼으로 이루어지나요?<br /> #우리는 SNS 거의 안 쓰고 있는데...<br /> ##우리가 SNS 쓸 필요가 있나요?<br /> ##써야 된다고 치면 어떤 SNS 플랫폼에서 어떤 콘텐츠를 공유하면 좋을까요?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1964 2018-08-07T07:03:54Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archives and museums did outreach through exhibitions, lecture, presentations, etc. Then, virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, to transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> 소셜미디어(social media)는 관객들이 콘텐츠와 소통하고 서로 네트워킹을 더 편리하게 만들었다. <br /> World Wide Web 이전에는 아카이브와 박물관들이 전시, 강의, 발표 등을 통해 아웃리치(outreach)하였다.<br /> 그러나 가상 전시가 가능해지면서 더욱 먼 관객과 소통하고 더욱 창의적인 큐레이션을 할 수 있게 되었다. <br /> SNS가 발전되면서 관객과 박물관 사의의 관계를 변형시켰다. <br /> 기관 포함한 사용자는 SNS 간에 네트워킹을 할 수 있다. <br /> Cross-curation은 자동 피드와 인간의 행위로 이루어진 네트워크 간에 관객들을 연결할 수 있음의 결과이며 주제의 viral성이 형상시켜서...<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일에 서비스가 종료되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.<br /> <br /> ==토론 거리==<br /> #우리의 한국 디지털 인문학 또는 글로벌 한국학 사회적 네트워크는 어떤 기관, 어떤 인물, 어떤 플랫폼으로 이루어지나요?<br /> #우리는 SNS 거의 안 쓰고 있는데...<br /> ##우리가 SNS 쓸 필요가 있나요?<br /> ##써야 된다고 치면 어떤 SNS 플랫폼에서 어떤 콘텐츠를 공유하면 좋을까요?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1963 2018-08-07T07:03:19Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archives and museums did outreach through exhibitions, lecture, presentations, etc. Then, virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, to transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> 소셜미디어는 관객들이 콘텐츠와 소통하고 서로 네트워킹을 더 편리하게 만들었다. <br /> World Wide Web 이전에는 아카이브와 박물관들이 전시, 강의, 발표 등을 통해 아웃리치하였다.<br /> 그러나 가상 전시가 가능해지면서 더욱 먼 관객과 소통하고 더욱 창의적인 큐레이션을 할 수 있게 되었다. <br /> SNS가 발전되면서 관객과 박물관 사의의 관계를 변형시켰다. <br /> 기관 포함한 사용자는 SNS 간에 네트워킹을 할 수 있다. <br /> Cross-curation은 자동 피드와 인간의 행위로 이루어진 네트워크 간에 관객들을 연결할 수 있음의 결과이며 주제의 viral성이 형상시켜서...<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일에 서비스가 종료되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.<br /> <br /> ==토론 거리==<br /> #우리의 한국 디지털 인문학 또는 글로벌 한국학 사회적 네트워크는 어떤 기관, 어떤 인물, 어떤 플랫폼으로 이루어지나요?<br /> #우리는 SNS 거의 안 쓰고 있는데...<br /> ##우리가 SNS 쓸 필요가 있나요?<br /> ##써야 된다고 치면 어떤 SNS 플랫폼에서 어떤 콘텐츠를 공유하면 좋을까요?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1962 2018-08-07T06:51:07Z

<p>Lyndsey: /* Conclusion */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일에 서비스가 종료되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.<br /> <br /> ==토론 거리==<br /> #우리의 한국 디지털 인문학 또는 글로벌 한국학 사회적 네트워크는 어떤 기관, 어떤 인물, 어떤 플랫폼으로 이루어지나요?<br /> #우리는 SNS 거의 안 쓰고 있는데...<br /> ##우리가 SNS 쓸 필요가 있나요?<br /> ##써야 된다고 치면 어떤 SNS 플랫폼에서 어떤 콘텐츠를 공유하면 좋을까요?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1961 2018-08-07T06:17:12Z

<p>Lyndsey: /* Storify */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일에 서비스가 종료되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1960 2018-08-07T06:16:58Z

<p>Lyndsey: /* StumbleUpon */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일에 서비스가 종료되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1959 2018-08-07T06:15:37Z

<p>Lyndsey: /* Social network theory, hypertextuality, and cross-curation */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1958 2018-08-07T06:15:20Z

<p>Lyndsey: /* Social network theory, hypertextuality, and cross-curation */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[파일:DCDH_132.PNG|400|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=%ED%8C%8C%EC%9D%BC:DCDH_132.PNG&diff=1957 2018-08-07T06:14:43Z

<p>Lyndsey: </p> <hr /> <div></div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1956 2018-08-07T06:14:18Z

<p>Lyndsey: /* Social network theory, hypertextuality, and cross-curation */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> [[File:DCDH_132.PNG|400px|center]]<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1955 2018-08-07T06:11:37Z

<p>Lyndsey: /* Key Words */</p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1954 2018-08-07T06:11:27Z

<p>Lyndsey: </p> <hr /> <div>==Key Words==<br /> *social curation ecosystem<br /> *cross-curation<br /> *relationships: social - textual - ontological<br /> *hypertextuality<br /> <br /> <br /> ==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1953 2018-08-07T06:07:32Z

<p>Lyndsey: /* The social curation ecosystem in Toledo's Attic */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> ??<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1952 2018-08-07T05:58:12Z

<p>Lyndsey: /* Social networking and Web 2.0 tools and archives */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> Each SNS has different structures, features, and audiences which have advantages and disadvantages for cross-curation of heritage collections. It is also important to remember the fragility of these tools, as they can suddenly be lost if the company closes the website. <br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1951 2018-08-07T05:54:46Z

<p>Lyndsey: /* Conclusion */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==<br /> SNS have significant implications for outreach practices. Social curation ecosystems can be used to institutions' advantage by automating cross-curation. They also can facilitate more entry points to collections.</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1950 2018-08-07T05:52:30Z

<p>Lyndsey: /* Social network theory, hypertextuality, and cross-curation= */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation==<br /> Archives planning outreach may benefit from understanding social network theory. Digital curation depends upon social dynamics regarding intellectual, cultural, social, professional and technological capacities of SNS. Relationships in a network can be directed, undirected, mutual, not mutual, symmetric, asymmetric, etc. The nature of the relationships between members can affect the curation, especially how information is shared and who information reaches. Density, centrality, size, distance, multiplexity, and segmentation are important quantitative aspects. If heritage institutions and their collections are centrally located in this network, it can receive more attention. However, different institutions, governments, individuals and groups may have different interests and are segmented, which should be considered.<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1949 2018-08-07T05:44:52Z

<p>Lyndsey: /* Hypertextuality and ontologies in social media */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> Hypertext allows curators to link textual materials from different websites, repositories, blogs, and databases. SNS may be useful in pointing researchers to useful information. Through hypertext, relationships form between texts, just as social relationships form between humans. Ontological relationships, such as controlled vocabularies and social tagging, shape this ecosystem, also. An ontology, as defined by Tom Gruber (2009), is the explicit specification of the objects, concepts and other entities that are presumed to exist in some area of interest and the relationships that hold among them. In other words, textual (content), social, and ontological (data structure) relationships can each become an entry point for the other two.<br /> <br /> ==Social network theory, hypertextuality, and cross-curation===<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1948 2018-08-07T05:39:32Z

<p>Lyndsey: /* Cross-curation, social curation ecosystems, and cultural heritage */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to ensure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> <br /> ==Social network theory, hypertextuality, and cross-curation===<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1947 2018-08-07T05:39:18Z

<p>Lyndsey: /* Cross-curation, social curation ecosystems, and cultural heritage */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to encure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. When SNS is involved, it means when identities, perspectives, and knowledge cross over from one channel of communication (lecture series, presentation) to another (social media) shared among members of single and multiple communities and social networking sites. It 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> <br /> ==Social network theory, hypertextuality, and cross-curation===<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1945 2018-08-07T05:37:38Z

<p>Lyndsey: /* Cross-curation, social curation ecosystems, and cultural heritage */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> In a scientific context, cross-curation aims to encure that curation standards are comparable across all participating databases, bringing quality and consistency similar to the management of metadata. In art and education contexts (similar to archival curation), it involves curation among and across geographical divides to gain insight from and reach a broader audience. In other words, it 1) enriches the public discourse, 2) underscores the social, textual, and ontological relationships across channels, and 3) extends outreach beyond the traditional range. In SNS, it refers to curation of heritage collections across multiple communication channels (i.e.. multiple websites and platforms). This creates a social curation ecosystem. This results in a mix of human and algorithm generated curation. The social, textual, or ontological can be an entry point to the others. <br /> <br /> We can understand SNS to be a virtual form of personal, professional, and collegiate networks fostered through conferences, meetings, correspondence, and gatherings. They also bring in mutual acquaintances. However, on SNS, the relationships may be professional but not emotional. Especially for heritage institutions, it is about communicating information to gaining feedback from audiences, rather than a human connection. These are spaces where digital and traditional curation can be combined. It also leads to cross-curation. Responses can vary from little to many depending on the virality of the topic.<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> <br /> ==Social network theory, hypertextuality, and cross-curation===<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1942 2018-08-07T05:27:40Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Introduction==<br /> Social media has made it easier for audiences to interact with the content and network with others. Before the World Wide Web, archived and museums did outreach through exhibitions, lecture, presentations, etc. The virtual exhibitions became possible to reach more remote audiences and engage in more creative curation. SNS took this a step further, so transform the relationship between museums and audiences. (Ex: Brooklyn Museum's Click! Exhibition in 2009). Users, including institutions, can network across SNS boundaries. Cross-curation results from the ability of SNS to connect audiences across networks via automatic feeds and human-initiated actions, increasing the virality of topics, which in turn outlines a social curation system where actions in one region of the system can have varying effects else where. A social curation ecosystem is a broader framework for social, textual, and ontological relationships across multiple collections, networks, and knowledge domains. Institutions can build on these social curation ecosystems to extend outreach efforts and promote their collections. This approach enriches the discourse, but depends on the size of the audience.<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> <br /> ==Social network theory, hypertextuality, and cross-curation===<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-7._Social_networks%27_impact_on_digital_curation&diff=1879 2018-07-29T14:03:10Z

<p>Lyndsey: 새 문서: ==Introduction== ==Cross-curation, social curation ecosystems, and cultural heritage== ==Hypertextuality and ontologies in social media== ==Social network theory, hypertextuality,...</p> <hr /> <div>==Introduction==<br /> <br /> ==Cross-curation, social curation ecosystems, and cultural heritage==<br /> <br /> ==Hypertextuality and ontologies in social media==<br /> <br /> ==Social network theory, hypertextuality, and cross-curation===<br /> <br /> ==Social networking and Web 2.0 tools and archives==<br /> <br /> ===[https://facebook.com Facebook]===<br /> <br /> ===[https://www.instagram.com Instagram]===<br /> <br /> ===[https://www.pinterest.com Pinterest]===<br /> <br /> ===[https://wordpress.com/ WordPress]/[https://www.blogger.com/ Blogger]===<br /> <br /> ===[https://www.scoop.it/ Scoop.it]===<br /> <br /> ===[https://www.google.com/ Google]===<br /> <br /> ===[https://storify.com/ Storify]===<br /> *'''''2018년 5월 16일 까지만 서비스되었다.'''''<br /> <br /> ===[http://scripto.org/ Scripto]===<br /> <br /> ===[https://www.drupal.org/project/dipity Dipity]===<br /> <br /> ===[https://www.stumbleupon.com/ StumbleUpon]===<br /> *'''''2018년 6월 30일 까지만 서비스되었다.'''''<br /> <br /> ===[https://www.tumblr.com/ Tumblr]===<br /> <br /> ===[https://www.youtube.com/ YouTube]===<br /> <br /> ===[https://toledosattic.org/ Toledo's Attic: an experiment in cross-curation]===<br /> <br /> ==The social curation ecosystem in Toledo's Attic==<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=DH_Book_Study&diff=1878 2018-07-29T13:48:06Z

<p>Lyndsey: /* 2018년 7월 31일 */</p> <hr /> <div>DH 관련 서적 읽기 스터디<br /> ==Digital Curation in the Digital Humanities / Arjun Sabharwal==<br /> ===2018년 7월 10일===<br /> *[[Digital Curation in the Digital Humanities-0. Introduction|0. Introduction]] : 김사현<br /> *[[Digital Curation in the Digital Humanities-1. Defining digital curation in the digital humanities context|1. Defining digital curation in the digital humanities context]] : 린지<br /> <br /> ===2018년 7월 17일===<br /> *[[Digital Curation in the Digital Humanities-2. Archives and special collections in the digital humanities|2. Archives and special collections in the digital humanities]] : 김현규<br /> *[[Digital Curation in the Digital Humanities-3. Digital history, archives, and curating digital cultural heritage|3. Digital history, archives, and curating digital cultural heritage]] : 강혜원<br /> ===2018년 7월 24일===<br /> *[[Digital Curation in the Digital Humanities-4. Information architecture and hypertextuality : concerns for digital curation|4. Information architecture and hypertextuality : concerns for digital curation]] : 조선애<br /> *[[Digital Curation in the Digital Humanities-5. Digital curation lifecycle in practice|5. Digital curation lifecycle in practice]] : 이혜영<br /> ===2018년 7월 31일===<br /> *[[Digital Curation in the Digital Humanities-6. Organizational dimensions of digital curation|6. Organizational dimensions of digital curation]] : 김사현<br /> *[[Digital Curation in the Digital Humanities-7. Social networks' impact on digital curation|7. Social networks' impact on digital curation]] : 린지</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1769 2018-07-10T07:14:07Z

<p>Lyndsey: /* Lifecycle of digital contents */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있게 하는 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> http://www.dcc.ac.uk/sites/default/files/documents/publications/DCCLifecycle.pdf<br /> <br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store(안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz)'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(학술적 논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러한 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1768 2018-07-10T07:11:08Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있게 하는 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store(안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz)'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(학술적 논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러한 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1726 2018-07-08T04:54:46Z

<p>Lyndsey: /* Using linked open data in digital curation */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 연구를 가능하게 하는 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있게 하는 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store(안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz)'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(학술적 논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러한 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1725 2018-07-08T04:54:05Z

<p>Lyndsey: /* Digital humanities data curation */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 연구를 가능하게 하는 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있게 하는 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store(안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz)'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(학술적 논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1724 2018-07-08T04:53:29Z

<p>Lyndsey: /* Lifecycle of digital contents */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 연구를 가능하게 하는 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있게 하는 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store(안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1723 2018-07-08T04:52:34Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 연구를 가능하게 하는 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있게 하는 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1722 2018-07-08T04:49:13Z

<p>Lyndsey: /* Introduction */</p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 연구를 가능하게 하는 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)는 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있도록 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1721 2018-07-08T04:48:28Z

<p>Lyndsey: </p> <hr /> <div>==Introduction==<br /> '디지털 큐세이션은 살아남은.현재.미래의 디지털 기술을 통해 연구를 가능하게 하는 born-digital와 디지털화 된 유산자료.데이터.발행물의 수집품들을 보존과 촉진, 장기적 접근 지원하는 일과 관련이 있다.'<br /> (&quot;Digital curation involves the preservation, promotion, and providing long-term access to born-digital and digitzed collections of heritage material, data, and publications supporting research with surviving (albeit considered obsolete), current, and emerging digital technologies.&quot;) <br /> <br /> 디지털 아키비스트(digital archivist)는 보존에 집중하며 디지털 인문학자(digital humanist)들은 새로운 해석, 이론적 맥락, 지식을 만드는 것에 집중한다. 그리고 사회적 큐레이션도 있으며 이 것이 지역 사회(즉 시민, 국민)의 협력과 피드백을 통해 수집품에 의미 부여를 하고 공개 담론을 풍요롭게 한다. <br /> <br /> 디지털 인문학은 인문학과 기술 사이에 이루어지는 뿐만 아니고 기록학, 도서관.정보학, 컴퓨터공학 등까지 포함한다 (Flanders and Munoz). 디지털 인문학의 역할은 1) 학자와 아키비스트, 사서, 기술자와의 협력을 도와주는 학제간 체제을 마련하는 것, 2) 디지털 인문학에 필요한 자료를 장기적으로 보존관 접근할 수 있도록 디지털 큐레이션의 중요성을 촉진 하는 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==<br /> <br /> =='''토론 질문'''==<br /> *우리가 하는 연구에서는 data curation 단계들을 어떻게 구별해 왔는가? 어떤 단계가 제일 미흡했나?<br /> *우리는 digital curation 어떻게 정의할 것인가?<br /> *규칙 또는 방법에 대한 기록은 강조가 됐는데 우리가 이면에서 어떠한 규칙들은 언제 수행했나? 우리의 방법 기록을 누가, 어떻게, 어디서 정리하고 있는가?</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1720 2018-07-08T04:26:08Z

<p>Lyndsey: /* Using linked open data in digital curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *예시 : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1719 2018-07-08T04:25:49Z

<p>Lyndsey: /* Using linked open data in digital curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> 관련한 데이터를 발견하고 데이터 사이의 관계를 찾기 위해 도서관들이 여러 출처의 자원을 같이 보여주기 시작하였다. <br /> <br /> * Viewshare, Google Maps, Archive Grid, Registry of Open Access Repositories, Directory of Open Access Repositories<br /> <br /> Linked open data --&gt; 데에터와 데이터베이스 찾기에 도움이 된다. 그리고 여러 data set, collection, text coropora 간에 연구하려면 이러나 linked open data 가 필수적이다. 다른 장점은 역사적 데이터(지명, 사건, 주제) 찾기, 이중적이나 변화해온 인명.지명을 찾기, 더 넓거나 좁은 범위의 관련어 검색등에 도움이 된다. <br /> <br /> *dPtl : Europeana, Digital Public Library of America, BIBFRAME<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1718 2018-07-08T03:35:08Z

<p>Lyndsey: /* Digital humanities data curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> *디지털 인문학 데이터 큐레이션은 구체적인 인문학적, 역사학적 질문을 중심으로 이루어진다. 따라서 이 데이터가 분리된 경우가 많다.<br /> *특정한 연구 목적에 따라 데이터를 생산하기 때문에 데이터 큐레이션 할 때 그 데이터만 수집하고 보존하는 것 뿐만 아니고 그 데이터의 생산 방법에 대한 정보까지 기록해야 한다. <br /> <br /> 데이터 큐레이션은 다음 행위를 포함한다<br /> *description<br /> *annotation<br /> *collection/aggregation<br /> *storage<br /> *migration<br /> <br /> The 5 models of content curation (Bhargava)<br /> *Aggregation(제일 relevant한 정보 큐레이션)<br /> *Distillation(더 단순한 유형으로 정보 큐레이션)<br /> *Elevation(범위 넓은 유행이나 통찰을 확인하기 위한 큐레이션)<br /> *Mashup(새로운 관점을 만들기 위해 특별한 융합)<br /> *Chronology(시간적으로 역사적 정보를 정리하는 것)<br /> <br /> Owens에 의하면 데이터를 '만들어진 것' 즉 유물로서, 관객을 위해 만든 텍스트로서, 그리고 컴퓨터가 처리할 수 있는 정보로서 인식이 가능하다. 데이터가 증거가 될 수 있다. <br /> <br /> '''연구 수집품 유형 (Flanders and Munoz)'''<br /> *scholarly editions<br /> *text corpora<br /> *marked-up digital texts<br /> *thematic research collections<br /> *research data<br /> *archival finding aids<br /> <br /> '''데이터 관리(Flanders and Munoz'''<br /> #interpretive layering(마크업을 등을 통해 해설하기)<br /> #data capture and preparation(기술적 요소, 데이터 기록, 스키마, 데이터 질 관리 등)<br /> #capturing scholarly agency(논의, editorial voice) <br /> <br /> *XML, SGML, Text Encoding Initiative (TEI), Encoded Archival Description (EAD), Encoded Archival Context - Corporate bodies, Persons and Families (EAC-CPF), Describing Archives: A Content Standard (DACS), ArchiveGrid<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1717 2018-07-08T02:40:16Z

<p>Lyndsey: /* Levels of curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> '''2-level'''<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> '''3-level'''<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1716 2018-07-08T02:39:56Z

<p>Lyndsey: /* Levels of curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> 2-level<br /> #High-level<br /> ##주석과 주해하는 일<br /> #Low-level<br /> ##물리적 매체를 보존<br /> <br /> 3-level<br /> #Scholarly processing<br /> ##annotations, meaning addition, scholarship, teaching<br /> #Administrative / intellectual control<br /> ##metadata curation, provenance, preservation actions, copyright, administration<br /> #IT / digital file management<br /> ##migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1715 2018-07-08T02:38:31Z

<p>Lyndsey: /* Levels of curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> *High-level<br /> **주석과 주해하는 일<br /> *Low-level<br /> ** 물리적 매체를 보존<br /> <br /> <br /> *Scholarly processing<br /> *annotations, meaning addition, scholarship, teaching<br /> *Administrative / intellectual control<br /> ** metadata curation, provenance, preservation actions, copyright, administration<br /> *IT / digital file management<br /> **migration, backup, upgrades, checksum reporting<br /> <br /> '''E-Science 발행의 맥락에서'''<br /> #Level 1 : 원 데이터(raw data) --&gt; 이차적 결과물(secondary results, 즉 책, 학회지) --&gt; 아카이브, 도서관, 인터넷, 정부로 접속<br /> #Level 2 : 원 데이터와 이차적 데이터 아카이빙과 보존 (메타데이터, 하이퍼링크, 주석이 중요)<br /> #Level 3 : 이 데이터와 아카이브들을 지속적으로 접속할 수 있도록 하는 일<br /> <br /> '''디지털 인문학의 맥락에서'''<br /> *social curation, SNS, 국.시민의 의견 및 협력을 통해 맥락화, 재맥락화 (recontextualization)<br /> *mashups, 데이터 시각화까지<br /> *발행 과정의 변화<br /> <br /> '''Lee (2012) - 8 levels for digital curation'''<br /> *문맥정보가 너무 적거나 너무 많으면 안 된다. 균형 잘 잡아야 된다. <br /> <br /> 각각의 representation level로 나누면 digital curation을 훨씬 체계적으로 접근할 수 있다. <br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1714 2018-07-08T02:20:51Z

<p>Lyndsey: /* Lifecycle of digital contents */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근과 사용)<br /> #appraise and select(평가와 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1713 2018-07-08T02:15:37Z

<p>Lyndsey: /* Lifecycle of digital contents */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근 및 사용)<br /> #appraise and select(평가 및 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1712 2018-07-08T02:14:30Z

<p>Lyndsey: /* Digital curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> *Digital Curation Centre<br /> **장기 연구 가치를 유지하여 디지털 진부화의 위험을 완화시키기 위해 연구 데이터를 적극적으로 관리하는 것<br /> **추후 연구로 인한 장기적 가치를 향상시키기 위해 연구 데이터를 생산할 때 이중적 노력을 줄이기 <br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> '''지속성'''<br /> <br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근 및 사용)<br /> #appraise and select(평가 및 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1711 2018-07-08T02:07:35Z

<p>Lyndsey: /* Lifecycle of digital contents */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> '''지속성'''<br /> <br /> #conceptualize(계획)<br /> #create(생산, 메다테이터 포함) <br /> #access and use(접근 및 사용)<br /> #appraise and select(평가 및 선택)<br /> #dispose(없앰, 없애는 방법 기록)<br /> #ingest(신뢰할만한 저장소로 옮김)<br /> #preservation action(보존)<br /> #reappraise(다시 평가)<br /> #store (안전하게 저장)<br /> #access and reuse(점속 및 재사용)<br /> #transform(변화시킴 - 새 디지털 개체로)<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1710 2018-07-08T02:00:53Z

<p>Lyndsey: /* Digital preservation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보를 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1709 2018-07-08T01:59:58Z

<p>Lyndsey: /* Digital preservation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> 'Digital preservation'은 디지털 자료들을 필요할 동안 지속적인 접근을 보장하기 위해 해야 할 활동들이다. 몇년 사이에 디지털 정보가 잃을 수 있으니 데이터 생산부터 관리를 적극적으로 해야 된다. 미래에 데이터를 찾고 읽을 수 있도록 표준 및 체계를 활용해야 한다. Moore에 의 하면 'digital preservation'은 '미래와의 소통이다.' 이를 위해 'temporal interoperability'가 중요하며 이 것이 소위 말한 과거 또는 현재의 체계들은 새로운 유형과 데이터 모델, 언어, 소통 규약, 하드웨어를 사용할 미래의 체계와 상호 운용의 가능성을 말한다. 이 상호 운용은 기술적인 것이 뿐만 아니고 구상주의적, 사회적 상호 운용도 포함한다. 이 가능성을 보장하기 위해 open standards, open source이 중요한 역할을 할 것이다. <br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1708 2018-07-08T01:35:12Z

<p>Lyndsey: /* Digital curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> ''''Curation'은''' 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> ''''Digital curation'은...'''<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> <br /> '''신뢰할 수 있는 디지털저장소? Trusted repositories?'''<br /> #보존 원칙, 내용물 묘사 표준(즉 메타데이터), 올바른 물리적 인프라가 필요<br /> #규칙관 표준을 따를 수 있는 소프트웨어와 하드웨어 체계 사용<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1707 2018-07-08T01:32:14Z

<p>Lyndsey: /* Digital curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> 'Curation'은 14세기부터 사용된 단어이며 처음에 '힐링'의 맥락, 나중에 '개인사정 후견'의 맥락에서 사용되었다. 1960, 1970년대부터는 견본(specimen)의 체계적 관리를 말하였다. 최근 몇 10년동안 'curation'이란 말은 박물과 주임, 자료를 재사용 목적을 위해 지속적 접근에 대한 관심 가지는 사람 등으로부터 현재 접속과 재사용을 위해 데이터 보존하는 것과 시.국민들과의 협력적 curation방법까지 말한다. 'Digital curation'은 기관간(cross-institutional), 학문간(cross-disciplinary) 개념으로 2001년부터 소개되었다. <br /> <br /> 'Digital curation'은...<br /> *Tibbo : 디지털 기술을 활용하는 curation 활동<br /> *Beagrie : 디지털 연구 데이터와 다른 디지털 자료들을 그들의 생활 주기 또는 오래동안 현재 및 미래의 사용자들을 위해 유지하기 위한 노력<br /> *Yakel : Digital curation은 digital preservation, data curation, electronic records management, digital asset management 포함한 'umbrella'개념이다 <br /> *Lee &amp; Tibbo : 진정성이 있는 디지털 데이터 및 다른 디지털 자원들의 재현 및 재사용을 위한 책임 의식<br /> **신뢰할 수 있고 내구성이 있는 디지털저장소 개발<br /> **견실한 메타데이터 생산 원칙<br /> **파일유형 및 데이더 엔코딩 할 때 공개 표준(open standards)을 사용<br /> **정보 관리 능력 촉진<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1706 2018-07-08T01:00:12Z

<p>Lyndsey: /* Foundational definitions for curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지되도록 하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1705 2018-07-08T00:58:51Z

<p>Lyndsey: /* Foundational definitions for curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: Curation에 일부이며 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1704 2018-07-08T00:58:24Z

<p>Lyndsey: /* Foundational definitions for curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지하는 것<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것<br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey http://dh.aks.ac.kr/~hiblue/wiki/index.php?title=Digital_Curation_in_the_Digital_Humanities-1._Defining_digital_curation_in_the_digital_humanities_context&diff=1703 2018-07-08T00:57:45Z

<p>Lyndsey: /* Foundational definitions for curation */</p> <hr /> <div>==Introduction==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.dpconline.org/component/docman/doc_download/283-digital-curation-welcom-and-introduction Beagrie (2001) / Introduction and Welcome, ''Digital Curation: Digital Archives, Libraries, and e-Science'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://chnm2001.Thatcamp.Org/06/02/digital-humanities-curation-what-do-we-meanTHATCampCHNM2011 Tebeau (2011) / ''Digital humanities curation? What do we mean?'']<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> <br /> ==Foundational definitions for curation==<br /> 'Curation'이란 어떻게 정의되어 왔었을까?<br /> <br /> *Oxford English Dictionary<br /> **후견(guardianship)<br /> **박물관 또는 미술관, 도서관의 주임(officer in charge of a museum, gallery of art, library)<br /> **지키는 사람, 관리자(a keeper, custodian)<br /> *Museum Curation Community<br /> **역사적 가치가 있는 유물의 관리<br /> **Archivist가 Curator와 달리 주로 고문헌을 관리한다<br /> *Lord &amp; Macdonald<br /> **Curation: 데이터의 발견 및 재사용을 위해 데이터를 생산부터 그리고 현재의 목적에 맞게 관리하고 사용 촉진하는 것 <br /> **Archiving: 데이터의 올바른 선택.보관.접속 그리고 그의 안정관 진정성을 비롯한 논리적.물리적 완전성을 오래동안 유지하는 것이다.<br /> **Preservation: Archiving의 일부이며 기술이 바꾸더라도 데이터를 접속하여 이해할 수 있도록 관리하는 것이다. <br /> *''Glossary of Archival and Records Terminology''<br /> **수집품 및 전시를 감독하는 자<br /> **박물관의 주임<br /> **고문헌들을 평가, 수집, 정리, 묘사, 보존, 접속을 하게 하는 자<br /> <br /> <br /> '''언급된 선행 연구'''<br /> *[http://dnpzj64zylsa.cloudfront.net/library-museum/museum-curation/defined Museum Curation Community (2013) / ''Museum curation'']<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://www2.archivists.org/glossary Pearce-Moses (2012) / ''Glossary of Archival and Records Terminology'']<br /> <br /> ==Digital curation==<br /> <br /> *Open Archives Initiative Protocol for Metadata Harvesting (OAI-PMH)<br /> <br /> '''언급된 선행 연구'''<br /> *Tibbo (2012) / Placing the hose before the cart: conceptual and technical dimensions of digital curation, ''Historical Social Research'' 37(3), 187-200<br /> *Beagrie (2004) / The digital curation centre. ''Learned Publishing'' 17, 7-9<br /> *[http://dx.doi.org/10.1108/10650750710831466 Yakel (2007) / Digital curation, ''OCLC Systems &amp; Services'' 23(4), 335-340]<br /> *[https://journals.tdl.org/jodi/index.php/jodi/article/view/229/183 Lee and Tibbo (2007) / Digital curation and trusted repositories: steps toward success, ''Journal of Digital Information'' 8(2)]<br /> *Jantz and Giarlo (2006) / Digital archiving and preservation: technologies and processes for a trusted repository, ''Archives and the digital library'' (pp. 193-213)<br /> <br /> ==Digital preservation==<br /> <br /> '''언급된 선행 연구'''<br /> *Jones and Beagrie (2001) / ''Preservation management of digital materials: A handbook''<br /> *[http://www.ijdc.net/index.php/ijdc/article/view/43/28 Watry (2007) / Digital preservation theory and application: transcontinental persistent archives testbed activity, ''The International Journal of Digital Curation'', 2(2), 41-68]<br /> *[http://ijdc.net/index.php/ijdc/article/view/63/42 Moore (2008) / Towards a theory of digital preservation, ''International Journal of Digital Curation'', 3(1), 63-75]<br /> *[http://www.ercim.eu/publication/ws-proceedings/DelNoe03/10.pdf Hedstrom (2001) / ''Exploring the concept of temporal interoperability]<br /> <br /> ==Lifecycle of digital contents==<br /> <br /> '''언급된 선행 연구'''<br /> *Beagrie<br /> *[http://www.dcc.ac.uk/digital-curation/what-digital-curation Digital Curation Centre (University of Edinburgh)]<br /> <br /> ==Levels of curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://www.jisc.ac.uk/uploaded_documents/e-ScienceReportDinal.pdf Lord and Macdonald (2003) / ''Data curation for e-science in the UK: An audit to establish requirements for future curation and provision.'']<br /> *[http://contentrambler.com/2012/10/19/levels-of-content-curation-blogging/ Content Rambler (2012) / Levels of content curation: Blogging ]<br /> *Lee (2012) / Digital curation as a communication mediation, ''Handbook of technical communication (pp. 507-530)<br /> *[http://www.bitcurator.net/docs/bitstreams-to-heritage.pdf Lee, Woods, Kirschenbaum, and Chassanoff (2013) / From bitstreams to heritage: putting digital forensics into practice in collecting institutions, ''BitCurator'']<br /> <br /> ==Digital humanities data curation==<br /> <br /> '''언급된 선행 연구'''<br /> *[http://guide.dhcuration.org/intro/ Flanders and Munoz (2011) / An introduction to humanities data curation, ''DH curation guide: A community resource guide to data duration in the digital humanities.'' ]<br /> *Gladney (2012) / Long-term digital preservation: a digital humanities topic?, ''Historical Social Research'', 37(3), 201-217<br /> *[http://www.rohitbhargava.com/2011/03/the-5-models-of-content-curation.html Bhargava (2011) / The 5 models of content curation, ''Influential marketing blog'']<br /> *[http://journalofdigitalhumanities.org/1-1/defining-data-for-humanists-by-trevor-owens Owens (2011) / Defining data for humanists: text, artifact, information or evidence?, ''Journal of Digital Humanities'' 1(1)]<br /> <br /> ==Using linked open data in digital curation==<br /> <br /> '''언급된 선행 연구'''<br /> *Lewis (2009) / The repository mashup map, ''Library mashups: Exploring new ways to deliver library data (pp. 221-239)<br /> *[http://dx.doi.org/10.1080/01639374.2013.823583 Lindquist, Dulock, Tornroos, Hyvonen, and Makela (2013) / Using linked open data to enhance subject access in online primary sources, ''Cataloging &amp; Classification Quarterly'', 51(8), 913-928]<br /> *Mitchell (2013) / Metadata developments in libraries and other cultural heritage institutions, ''Library linked data: Research and adoption (pp. 5-10)<br /> <br /> ==Conclusion==</div>

Lyndsey