E2024-G099

Minjung Art Forms: Hanging Paintings

Narrative

Among the various Minjung Art forms, the hanging paintings known as Geolgae Geurim emerge as a poignant expression of resilience and cultural memory. At the heart of this artistic movement lies the historic May 18 Democratic Uprising, an event that unfolded in May 1980, when citizens of Gwangju rose against oppressive military forces led by the new military regime, symbolizing a fierce struggle for democracy. These hanging paintings, influenced by the traditional Buddhist banner paintings (gwebulhwa), transcend mere aesthetic appeal; becoming canvases of cultural resistance that commemorate the courage and sacrifice of those who participated in the May 18 Democratic Uprising. Displayed at memorial events, they serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of Tomal and Madang, art collectives formed in the early 1980s at Chosun and Jeonnam Universities, respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.