"S2024-G021"의 두 판 사이의 차이
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| − | ='''Cultural Icons: Artists Who Shaped | + | ='''Cultural Icons: Artists Who Shaped Gwangju’s Identity'''= |
==Content== | ==Content== | ||
| − | [[S2024-G021|Cultural Icons: Artists Who Shaped | + | [[S2024-G021|Cultural Icons: Artists Who Shaped Gwangju’s Identity]] honors the painters who defined the city’s artistic legacy. Korean-American abstract expressionist [[김보현|Po Kim]] bridged East and West, while pioneer female painter [[전경자|Chun Kyung-Ja]] became renowned as the “Magician of Colors.” The mid-century fine arts community fostered collaboration and innovation, with artists like [[허백련|Heo Baek-ryeon]] representing traditional excellence and [[오지호|O Ji-ho]] combining artistry with social activism. These cultural icons elevated Gwangju’s status as a center of Korean art. |
==Story Map== | ==Story Map== | ||
| − | *[[S2024-G021| Cultural Icons: Artists Who Shaped | + | *[[S2024-G021| Cultural Icons: Artists Who Shaped Gwangju’s Identity]] |
** [[E2024-G127|Korean-American Abstract Expressionist: Po Kim]] | ** [[E2024-G127|Korean-American Abstract Expressionist: Po Kim]] | ||
| − | ** [[E2024-G128| | + | ** [[E2024-G128|Gwangju’s Mid-Century Fine Arts Community]] |
| − | ** [[E2024-G129|The Magician of Colors: Chun Kyung- | + | ** [[E2024-G129|The Magician of Colors: Chun Kyung-ja]] |
| − | ** [[E2024-G165|The Art and Life of Heo Baek-ryeon, | + | ** [[E2024-G165|The Art and Life of Heo Baek-ryeon, Gwangju’s Representative Painter]] |
| − | ** [[E2024-G169|Activism Through Art: The Painter | + | ** [[E2024-G169|Activism Through Art: The Painter O Ji-ho]] |
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[[분류:Story]] [[분류:이야기 주제]] [[분류:린지]] | [[분류:Story]] [[분류:이야기 주제]] [[분류:린지]] | ||
2025년 10월 11일 (토) 15:40 기준 최신판
Cultural Icons: Artists Who Shaped Gwangju’s Identity
Content
Cultural Icons: Artists Who Shaped Gwangju’s Identity honors the painters who defined the city’s artistic legacy. Korean-American abstract expressionist Po Kim bridged East and West, while pioneer female painter Chun Kyung-Ja became renowned as the “Magician of Colors.” The mid-century fine arts community fostered collaboration and innovation, with artists like Heo Baek-ryeon representing traditional excellence and O Ji-ho combining artistry with social activism. These cultural icons elevated Gwangju’s status as a center of Korean art.
Story Map
