"E2024-G101"의 두 판 사이의 차이
(→Narrative) |
|||
| 3번째 줄: | 3번째 줄: | ||
== Narrative == | == Narrative == | ||
| − | [[도미야마_다에코|Tomiyama Taeko ( | + | [[도미야마_다에코|Tomiyama Taeko (1921-2021)]] (富山妙子) was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the [[5.18민주화운동|May 18 Democratic Uprising]], where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet [[김지하|Kim Chi Ha (1941-2022)]], Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to [[민중미술|Minjung art]] reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece [[광주의_피에타|“Pieta in Kwangju”]] exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her [[Prayer_in_Memory-Kwangju,_May_1980|“Prayer in Memory-Kwangju, May 1980”]] (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd [[광주비엔날레|Gwangju Biennale]]. In addition to her woodcut prints, her depiction of [[일본군_위안부_피해자|comfort women victims of the Japanese army]] in visual works like her two-work painting series [[A_Memory_of_the_Sea|“A Memory of the Sea”]] (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism. |
==Network Graph== | ==Network Graph== | ||
2025년 10월 10일 (금) 20:21 판
Japanese Artist Tomiyama Taeko: A Voice Against Imperialism
Narrative
Tomiyama Taeko (1921-2021) (富山妙子) was a prominent Japanese artist who used her work to critique imperialism. Her art encompassed events like the May 18 Democratic Uprising, where the citizens of Gwangju, South Korea, stood against military dictatorship in 1980. Inspired by the Korean poet Kim Chi Ha (1941-2022), Tomiyama's art linked historical injustices with present activism. Tomiyama's connection to Minjung art reflects her engagement with social issues, exploring themes of struggle and resistance. Her woodcut print piece “Pieta in Kwangju” exemplifies this by depicting the trials and hopes of the democratic uprising. It is one of five works in her “Prayer in Memory-Kwangju, May 1980” (1980), which captures the spirit of this democratic resistance and was exhibited as part of the 3rd Gwangju Biennale. In addition to her woodcut prints, her depiction of comfort women victims of the Japanese army in visual works like her two-work painting series “A Memory of the Sea” (1986) underscore her dedication to storytelling about struggle and memory of womens' lives under Japanese imperialism.
Network Graph
Resources
| type | resource | title | description/caption | URL |
|---|---|---|---|---|
| 해설 | Tomiyama Taeko | Homepage | https://tomiyamataeko.org/tomiyamataeko/en/ | |
| 해설 | Tomiyama Taeko | Kwangju, May 1980: A Prayer in Memory | https://tomiyamataeko.org/tomiyamataeko/en/serieswork/kwangju-may-1980-a-prayer-in-memory | |
| 해설 | Tomiyama Taeko | A Memory of the Sea | https://tomiyamataeko.org/tomiyamataeko/en/serieswork/a-memory-of-the-sea | |
| 해설 | AWARE: Archives of Women Artists, Research, & Exhibitions | Taeko Tomiyama | https://awarewomenartists.com/en/artiste/taeko-tomiyama/ |
