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[[천경자|Kyung-Ja Chun]] (1924-2015), considered the most prominent female artist of Korean modern and contemporary art history, is renowned for her vivid and colorful art, earning her the nickname "Magician of Colors." Motifs in her works include female figures, flowers, and snakes. | [[천경자|Kyung-Ja Chun]] (1924-2015), considered the most prominent female artist of Korean modern and contemporary art history, is renowned for her vivid and colorful art, earning her the nickname "Magician of Colors." Motifs in her works include female figures, flowers, and snakes. | ||
| − | Born in Goheung, Chun studied at [[동경여자미술학교|Tokyo Women's Art College]] in 1943-1944, during which time her paintings were accepted into the [[조선미술전람회|Korean National Exhibition]] two years in a row, highlighting her emerging talent on a national stage. Upon returning to Korea, she held exhibitions at the lecture halls of [[전남여자고등학교|Jeonnam Girls' High School]] (1946) and [[광주여자중학교|Gwangju Girls' Middle School]] (1948) in Gwangju, before taking up a lecture position at the [[조선대학교_미술학과|Department of Fine Arts]] at [[조선대학교|Chosun University]] in 1949. In particular, one of her most notable works, "[[ | + | Born in Goheung, Chun studied at [[동경여자미술학교|Tokyo Women's Art College]] in 1943-1944, during which time her paintings were accepted into the [[조선미술전람회|Korean National Exhibition]] two years in a row, highlighting her emerging talent on a national stage. Upon returning to Korea, she held exhibitions at the lecture halls of [[전남여자고등학교|Jeonnam Girls' High School]] (1946) and [[광주여자중학교|Gwangju Girls' Middle School]] (1948) in Gwangju, before taking up a lecture position at the [[조선대학교_미술학과|Department of Fine Arts]] at [[조선대학교|Chosun University]] in 1949. In particular, one of her most notable works, "[[생태(회화)|State of Life]]" (1951), depicting a swarm of poisinous snakes, was created during her time living in Gwangju. |
In 1978, Chun was named a member of the [[대한민국예술원|Korean National Academy of Arts]] in acknowledgment of her artistic contributions and won the academy's award the following year, cementing her status as an influential figure in Korean art. In the 1990s, Chun moved to the U.S. following a scandal surrounding a forgery of her work, where she remained the rest of her life. A permanent exhibition of her works is kept at the Seoul City Museum of Art. | In 1978, Chun was named a member of the [[대한민국예술원|Korean National Academy of Arts]] in acknowledgment of her artistic contributions and won the academy's award the following year, cementing her status as an influential figure in Korean art. In the 1990s, Chun moved to the U.S. following a scandal surrounding a forgery of her work, where she remained the rest of her life. A permanent exhibition of her works is kept at the Seoul City Museum of Art. | ||
2025년 9월 28일 (일) 14:14 판
The Magician of Colors: Chun Kyung-Ja
Narrative
Kyung-Ja Chun (1924-2015), considered the most prominent female artist of Korean modern and contemporary art history, is renowned for her vivid and colorful art, earning her the nickname "Magician of Colors." Motifs in her works include female figures, flowers, and snakes.
Born in Goheung, Chun studied at Tokyo Women's Art College in 1943-1944, during which time her paintings were accepted into the Korean National Exhibition two years in a row, highlighting her emerging talent on a national stage. Upon returning to Korea, she held exhibitions at the lecture halls of Jeonnam Girls' High School (1946) and Gwangju Girls' Middle School (1948) in Gwangju, before taking up a lecture position at the Department of Fine Arts at Chosun University in 1949. In particular, one of her most notable works, "State of Life" (1951), depicting a swarm of poisinous snakes, was created during her time living in Gwangju.
In 1978, Chun was named a member of the Korean National Academy of Arts in acknowledgment of her artistic contributions and won the academy's award the following year, cementing her status as an influential figure in Korean art. In the 1990s, Chun moved to the U.S. following a scandal surrounding a forgery of her work, where she remained the rest of her life. A permanent exhibition of her works is kept at the Seoul City Museum of Art.
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