"S2024-G014"의 두 판 사이의 차이
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='''Global Witnesses: Foreign Eyes on Gwangju's Struggle'''= | ='''Global Witnesses: Foreign Eyes on Gwangju's Struggle'''= | ||
==Content== | ==Content== | ||
| − | [[S2024-G014|Global Witnesses: Foreign Eyes on Gwangju's Struggle]] reveals how international observers documented and preserved the truth of May 18. German journalist [[위르겐_힌츠페터|Jürgen Hinzpeter]] risked his life to film the uprising, while Japanese artist [[도미야마_다에코|Tomiyama Taeko]] used art to condemn imperialism and Zainichi collector [[하정웅|Ha Jung-woong]] preserved Minjung art. | + | [[S2024-G014|Global Witnesses: Foreign Eyes on Gwangju's Struggle]] reveals how international observers documented and preserved the truth of May 18. German journalist [[위르겐_힌츠페터|Jürgen Hinzpeter]] risked his life to film the uprising, while Japanese artist [[도미야마_다에코|Tomiyama Taeko]] used art to condemn imperialism and Zainichi collector [[하정웅|Ha Jung-woong]] preserved Minjung art. Peace Corps volunteers, foreign journalists, and other international witnesses courageously documented events despite government attempts to suppress information, ensuring the world would learn of Gwangju's struggle for democracy. |
==Story Map== | ==Story Map== | ||
2025년 9월 9일 (화) 18:30 판
Global Witnesses: Foreign Eyes on Gwangju's Struggle
Content
Global Witnesses: Foreign Eyes on Gwangju's Struggle reveals how international observers documented and preserved the truth of May 18. German journalist Jürgen Hinzpeter risked his life to film the uprising, while Japanese artist Tomiyama Taeko used art to condemn imperialism and Zainichi collector Ha Jung-woong preserved Minjung art. Peace Corps volunteers, foreign journalists, and other international witnesses courageously documented events despite government attempts to suppress information, ensuring the world would learn of Gwangju's struggle for democracy.
Story Map
