"E2024-G099"의 두 판 사이의 차이
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== Narrative == | == Narrative == | ||
| − | One of the key forms of [[민중미술|Minjung art]], or "people's art," is the banner painting, or "''geolgae geurim''. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean Buddhist hanging paintings ('' | + | One of the key forms of [[민중미술|Minjung art]], or "people's art," is the banner painting, or "''geolgae geurim''. A number of banner paintings were made to convey and commemorate the events of the [[5.18민주화운동|May 18 Democratic Uprising]]. These banner paintings, influenced by traditional Korean Buddhist hanging paintings (''gwaebulhwa'') serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of [[미술패_토말|Tomal]] and [[미술패_마당|Madang]], art collectives formed in the early 1980s at [[조선대학교|Chosun]] and [[전남대학교|Chonnam National Universities]], respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice. |
==Network Graph== | ==Network Graph== | ||
2025년 7월 13일 (일) 18:34 판
Minjung Art Forms: Banner Paintings
Narrative
One of the key forms of Minjung art, or "people's art," is the banner painting, or "geolgae geurim. A number of banner paintings were made to convey and commemorate the events of the May 18 Democratic Uprising. These banner paintings, influenced by traditional Korean Buddhist hanging paintings (gwaebulhwa) serve as visual narratives that keep the spirit of the uprising alive. Integral to this movement are the creative forces of Tomal and Madang, art collectives formed in the early 1980s at Chosun and Chonnam National Universities, respectively. These groups birthed significant works such as "Fight of the People-Having Met This Troubled World" (민중의 싸움-이 풍진세상을 만났으니), crafted by the artists of Tomal, and "From May to Unification" (오월에서 통일로), created by Madang. Each piece is a testament to the collective's commitment to preserving the ethos of Minjung Art, an art born out of the peoples' struggle and yearning for change. Through these works, the legacy of the May 18 Democratic Uprising endures, a visual beacon of hope and a testament to the enduring power of art in the fight for justice.
Network Graph
Resources
| type | resource | title | description/caption | URL |
|---|---|---|---|---|
| 해설 | MMCA Research Lab | Banner Painting | https://mmcaresearch.kr/terms/view.do?fid=1192&code=terms5 |
