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(새 문서: __NOTOC__ =Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising= == Narrative == ==Network Graph== {{StoryGraph2 | title= E2024-G104 }} ==Story Map== 분...) |
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| + | Hong Seong-dam, an influential figure in South Korean art, is renowned for his evocative woodcut prints that depict the May 18th Democratic Uprising—a pivotal event in the nation's fight for democracy. His education at Chosun University's College of Fine Arts and his role at the Gwangju Citizens' Art School, which operated from 1983 to 1986, positioned him as a significant contributor to the democratization of printmaking. Hong's art poignantly captures the essence of the uprising. His work, "May Woodcut Prints," stored at the Gwangju Art Museum's Ha Jung-woong Gallery, vividly depicts the events of that challenging period. The series includes notable works such as "Dawn" (새벽), "Puppet" (꼭두각시), "Great Unification" (대동사상), "Burial" (암매장), "Yangdong Battle" (양동전투), "Fighter's Report" (투사회보), and "Torchlight March" (햇불행진). Beyond his individual pieces, Hong also contributed to cross-border artistic endeavors. His influence reached North Korean artists, who recreated his works, illustrating his broader impact. Moreover, Hong's connection to the Gwangju Citizens' Art School and his role in fostering artistic education underscore his contributions as both an educator and a creator. His rich body of work continues to be a testament to his unique ability to capture and convey the profound moments of South Korea's historical struggle for democracy. | ||
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2025년 7월 12일 (토) 18:51 판
Artist Hong Seong-dam and His Woodcuts of the May 18th Democratic Uprising
Narrative
Hong Seong-dam, an influential figure in South Korean art, is renowned for his evocative woodcut prints that depict the May 18th Democratic Uprising—a pivotal event in the nation's fight for democracy. His education at Chosun University's College of Fine Arts and his role at the Gwangju Citizens' Art School, which operated from 1983 to 1986, positioned him as a significant contributor to the democratization of printmaking. Hong's art poignantly captures the essence of the uprising. His work, "May Woodcut Prints," stored at the Gwangju Art Museum's Ha Jung-woong Gallery, vividly depicts the events of that challenging period. The series includes notable works such as "Dawn" (새벽), "Puppet" (꼭두각시), "Great Unification" (대동사상), "Burial" (암매장), "Yangdong Battle" (양동전투), "Fighter's Report" (투사회보), and "Torchlight March" (햇불행진). Beyond his individual pieces, Hong also contributed to cross-border artistic endeavors. His influence reached North Korean artists, who recreated his works, illustrating his broader impact. Moreover, Hong's connection to the Gwangju Citizens' Art School and his role in fostering artistic education underscore his contributions as both an educator and a creator. His rich body of work continues to be a testament to his unique ability to capture and convey the profound moments of South Korea's historical struggle for democracy.
Network Graph