"E2024-G053"의 두 판 사이의 차이
(새 문서: __NOTOC__ =Choe Nam-ju: An Entrepreneur and Patron of the Arts in Colonial Gwangju= == Narrative == Choe Nam-ju (1905–?) was a figure who bridged industry and culture...) |
|||
| 3번째 줄: | 3번째 줄: | ||
== Narrative == | == Narrative == | ||
| − | [[최남주|Choe Nam-ju (1905–?)]] was a figure who bridged industry and culture in Gwangju during the Japanese colonial period (1910-1945). His family had already been one of the leading affluent households in the region since the time of his grandfather, [[최원택|Choe Won-taek]], who headed the [[광주농공은행|Gwangju Agricultural and Industrial Bank]] and the [[광주지방금융조합|Gwangju Local Financial Cooperative]]. Choe himself was a successful entrepreneur, renowned as the “Mining King of Honam.” From his teenage years, he showed great interest in culture and the arts, running [[학예사|Hagyesa Publishing Company]] and the [[조선영화사|Joseon Film Company]], thus engaging actively in the cultural industry. In 1939, the company produced the film <i>Mujeong</i> (Heartlessness), directed by [[박기채|Bak Gi-chae (1907-?)]], which was screened at the [[광주극장|Gwangju Theater]]. At the time, Choe lived at [[오가헌|Ogaheon House]] near [[금남로|Geumnam-ro Road]], leading a life as both an entrepreneur and a patron of the arts. His career exemplifies the multifaceted character of a colonial-era regional capitalist and cultural elite. | + | [[최남주|Choe Nam-ju (1905–?)]] was a figure who bridged industry and culture in Gwangju during the Japanese colonial period (1910-1945). His family had already been one of the leading affluent households in the region since the time of his grandfather, [[최원택|Choe Won-taek]], who headed the [[광주농공은행|Gwangju Agricultural and Industrial Bank]] and the [[광주지방금융조합|Gwangju Local Financial Cooperative]]. Choe himself was a successful entrepreneur, renowned as the “Mining King of Honam.” From his teenage years, he showed great interest in culture and the arts, running [[학예사|Hagyesa Publishing Company]] and the [[조선영화사|Joseon Film Company]], thus engaging actively in the cultural industry. In 1939, the company produced the film [[무정(영화)|<i>Mujeong</i> (Heartlessness)]], directed by [[박기채|Bak Gi-chae (1907-?)]], which was screened at the [[광주극장|Gwangju Theater]]. At the time, Choe lived at [[오가헌|Ogaheon House]] near [[금남로|Geumnam-ro Road]], leading a life as both an entrepreneur and a patron of the arts. His career exemplifies the multifaceted character of a colonial-era regional capitalist and cultural elite. |
==Network Graph== | ==Network Graph== | ||
2025년 10월 6일 (월) 17:28 기준 최신판
Choe Nam-ju: An Entrepreneur and Patron of the Arts in Colonial Gwangju
Narrative
Choe Nam-ju (1905–?) was a figure who bridged industry and culture in Gwangju during the Japanese colonial period (1910-1945). His family had already been one of the leading affluent households in the region since the time of his grandfather, Choe Won-taek, who headed the Gwangju Agricultural and Industrial Bank and the Gwangju Local Financial Cooperative. Choe himself was a successful entrepreneur, renowned as the “Mining King of Honam.” From his teenage years, he showed great interest in culture and the arts, running Hagyesa Publishing Company and the Joseon Film Company, thus engaging actively in the cultural industry. In 1939, the company produced the film Mujeong (Heartlessness), directed by Bak Gi-chae (1907-?), which was screened at the Gwangju Theater. At the time, Choe lived at Ogaheon House near Geumnam-ro Road, leading a life as both an entrepreneur and a patron of the arts. His career exemplifies the multifaceted character of a colonial-era regional capitalist and cultural elite.
Network Graph
