"S2024-G014"의 두 판 사이의 차이

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(새 문서: <!-- #Links S2024-G014 E2024-G085 hasPart S2024-G014 E2024-G096 hasPart S2024-G014 E2024-G101 hasPart S2024-G014 E2024-G103 hasPart S2024-G014 E2024-G157 hasPart S2024-G014 Global_Wi...)
 
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='''Global Witnesses: Foreign Eyes on Gwangju's Struggle'''=
 
='''Global Witnesses: Foreign Eyes on Gwangju's Struggle'''=
 
==Content==
 
==Content==
[[S2024-G014|Global Witnesses: Foreign Eyes on Gwangju's Struggle]] reveals how international observers documented and preserved the truth of May 18. German journalist [[위르겐_힌츠페터|Jürgen Hinzpeter]] risked his life to film the uprising, while Japanese artist [[도미야마_다에코|Tomiyama Taeko]] used art to condemn imperialism. Zainichi collector [[하정웅|Ha Jung-woong]] preserved Minjung art, and missionary-author [[스와인하트_로이스|Lois Swineheart]] captured Korean struggles in fiction. These foreign voices ensured that Gwangju's story reached the world.
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[[S2024-G014|Global Witnesses: Foreign Eyes on Gwangju's Struggle]] reveals how international observers documented and preserved the truth of May 18. German journalist [[위르겐_힌츠페터|Jürgen Hinzpeter]] risked his life to film the uprising, while Japanese artist [[도미야마_다에코|Tomiyama Taeko]] used art to condemn imperialism and Zainichi collector [[하정웅|Ha Jung-woong]] preserved Minjung art.
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==Story Map==
 
==Story Map==
 
*[[S2024-G014| Global Witnesses: Foreign Eyes on Gwangju's Struggle]]
 
*[[S2024-G014| Global Witnesses: Foreign Eyes on Gwangju's Struggle]]

2025년 9월 9일 (화) 18:27 판