(Translation) 2019 率居 - 편집 역사

2019년 7월 6일 (토) 08:52에 Youngoh64님의 편집

2019-07-06T08:52:48Z

2019년 7월 2일 (화) 11:44에 Hsanc님의 편집

2019-07-02T11:44:27Z

Hsanc: Italics

2019-07-02T08:59:05Z

Italics

Hsanc: Entry with translation of the Solgŏ passage.

2019-07-02T08:57:59Z

Entry with translation of the Solgŏ passage.

2019년 6월 28일 (금) 07:29에 Admin님의 편집

2019-06-28T07:29:34Z

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2019년 6월 27일 (목) 22:35에 Lotus님의 편집

2019-06-27T22:35:40Z

Lotus: 새 문서: =='''Translation'''== ==='''Student Translation : Write your name'''=== abcd ---- *Discussion Questions: abcd Category:2019 JSG Summer Hanmun Workshop Category:Intermed...

2019-06-27T22:18:50Z

새 문서: =='''Translation'''== ==='''Student Translation : Write your name'''=== abcd ---- *Discussion Questions: abcd Category:2019 JSG Summer Hanmun Workshop Category:Intermed...

새 문서

=='''Translation'''==

==='''Student Translation : Write your name'''===

abcd

----

*Discussion Questions:

abcd

[[Category:2019 JSG Summer Hanmun Workshop]]
[[Category:Intermediate Training Group]]

← 이전 판		2019년 7월 2일 (화) 11:44 판
33번째 줄:		33번째 줄:
	Solgŏ was a man from Silla. His place of origin is insignificant. Thus, [we] do not record his family history. Since birth, he was good at painting. In the past, at the walls of Hwangnyong temple, he painted an old pine. The trunk was scaly and chapped. The branches and leaves were entwined and twisted. Crows, kites, swallows, and sparrows often looked at it and entered [the temple] flying. When they arrived, flouncing and floundering they fell. After a long time had passed, the colors faded. Monks from the temple, by means of cinnabar and ''ch’ŏng'' [pigments,] restored it. Crows and sparrows did not come afterwards. Moreover, the ''Kwanŭm'' bodhisattva at Punhwang temple in Kyŏngju and the image of ''Vimalakīrti'' at Tansok temple in Chinju, were both painted by his brush. Generations passed down [the practice of] taking them to be divine paintings.		Solgŏ was a man from Silla. His place of origin is insignificant. Thus, [we] do not record his family history. Since birth, he was good at painting. In the past, at the walls of Hwangnyong temple, he painted an old pine. The trunk was scaly and chapped. The branches and leaves were entwined and twisted. Crows, kites, swallows, and sparrows often looked at it and entered [the temple] flying. When they arrived, flouncing and floundering they fell. After a long time had passed, the colors faded. Monks from the temple, by means of cinnabar and ''ch’ŏng'' [pigments,] restored it. Crows and sparrows did not come afterwards. Moreover, the ''Kwanŭm'' bodhisattva at Punhwang temple in Kyŏngju and the image of ''Vimalakīrti'' at Tansok temple in Chinju, were both painted by his brush. Generations passed down [the practice of] taking them to be divine paintings.

−	From the Samguk sagi, fascicle 48.	+	From the ''Samguk sagi'', fascicle 48.

@@ 31번째 줄: / 31번째 줄: @@
 ==='''Student Translation : Hector Sanchez'''===
-Solgŏ was a man from Silla. His place of origin is insignificant. Thus, [we] do not record his family history. Since birth, he was good at painting. In the past, at the walls of Hwangnyong temple, he painted an old pine. The trunk was scaly and chapped. The branches and leaves were entwined and twisted. Crows, kites, swallows, and sparrows often looked at it and entered [the temple] flying.  When they arrived, flouncing and floundering they fell. After a long time had passed, the colors faded. Monks from the temple, by means of cinnabar and ch’ŏng [pigments,] restored it. Crows and sparrows did not come afterwards. Moreover, the Kwanŭm bodhisattva at Punhwang temple in Kyŏngju and the image of Vimalakīrti at Tansok temple in Chinju, were both painted by his brush. Generations passed down [the practice of] taking them to be divine paintings.
+Solgŏ was a man from Silla. His place of origin is insignificant. Thus, [we] do not record his family history. Since birth, he was good at painting. In the past, at the walls of Hwangnyong temple, he painted an old pine. The trunk was scaly and chapped. The branches and leaves were entwined and twisted. Crows, kites, swallows, and sparrows often looked at it and entered [the temple] flying.  When they arrived, flouncing and floundering they fell. After a long time had passed, the colors faded. Monks from the temple, by means of cinnabar and ''ch’ŏng'' [pigments,] restored it. Crows and sparrows did not come afterwards. Moreover, the ''Kwanŭm'' bodhisattva at Punhwang temple in Kyŏngju and the image of ''Vimalakīrti'' at Tansok temple in Chinju, were both painted by his brush. Generations passed down [the practice of] taking them to be divine paintings.
 From the Samguk sagi, fascicle 48.

← 이전 판		2019년 7월 2일 (화) 08:57 판
29번째 줄:		29번째 줄:


−	==='''Student Translation : ~~Write your name~~'''===	+	==='''Student Translation : Hector Sanchez'''===
		+
		+	Solgŏ was a man from Silla. His place of origin is insignificant. Thus, [we] do not record his family history. Since birth, he was good at painting. In the past, at the walls of Hwangnyong temple, he painted an old pine. The trunk was scaly and chapped. The branches and leaves were entwined and twisted. Crows, kites, swallows, and sparrows often looked at it and entered [the temple] flying. When they arrived, flouncing and floundering they fell. After a long time had passed, the colors faded. Monks from the temple, by means of cinnabar and ch’ŏng [pigments,] restored it. Crows and sparrows did not come afterwards. Moreover, the Kwanŭm bodhisattva at Punhwang temple in Kyŏngju and the image of Vimalakīrti at Tansok temple in Chinju, were both painted by his brush. Generations passed down [the practice of] taking them to be divine paintings.
		+
		+	From the Samguk sagi, fascicle 48.

−	~~abcd~~

	----		----

@@ 1번째 줄: / 1번째 줄: @@
 {{Primary Source Document3
 |Image = 솔거.JPG
-|English = Solgeo
+|English = Solgŏ
 |Chinese = 率居
-|Korean = 솔거
+|Korean = 솔거(''Solgeo'')
 |Genre =
 |Type =

@@ 1번째 줄: / 1번째 줄: @@
 {{Primary Source Document3
 |Image = 솔거.JPG
-|English =
+|English = Solgeo
-|Chinese =
+|Chinese = 率居
-|Korean =
+|Korean = 솔거
 |Genre =
 |Type =
-|Author =
+|Author = 金富軾(''Kim Busik'')
-|Year =
+|Year = 1145
 |Key Concepts=
 |Translator = [[2019 JSG Summer Hanmun Workshop (Intermediate)#Participants | Participants of 2019 JSG Summer Hanmun Workshop (Intermediate Training Group)]]

@@ 38번째 줄: / 38번째 줄: @@
 ----
-*Discussion Questions:
+*Discussion Questions:<br />
 [[Category:2019 JSG Summer Hanmun Workshop]]
 [[Category:Intermediate Training Group]]

@@ 21번째 줄: / 21번째 줄: @@
 {{둥근 모서리2
 | =
-abcd
+率居, 新羅人, 所出微, 故不記其族系, 生而善畫, 嘗於皇龍寺壁畫老松, 體幹鱗皴, 枝葉盤屈, 烏鳶燕雀, 往往望之飛入, 及到, 蹭蹬而落, 歲久色暗, 寺僧以丹靑補之, 烏雀不復至, 又慶州芬皇寺觀音菩薩晉州斷俗寺維麾像, 皆其筆蹟, 世傳爲神畫. 《三國史記.卷48》
 }}

← 이전 판		2019년 6월 27일 (목) 22:35 판
1번째 줄:		1번째 줄:
		+	{{Primary Source Document3
		+	\|Image =
		+	\|English =
		+	\|Chinese =
		+	\|Korean =
		+	\|Genre =
		+	\|Type =
		+	\|Author =
		+	\|Year =
		+	\|Key Concepts=
		+	\|Translator = [[2019 JSG Summer Hanmun Workshop (Intermediate)#Participants \| Participants of 2019 JSG Summer Hanmun Workshop (Intermediate Training Group)]]
		+	\|Editor =
		+	\|Translation Year = 2019
		+	}}
		+
		+	__TOC__
		+
		+
		+	=='''Original Script'''==
		+
		+	{{둥근 모서리2
		+	\| =
		+	abcd
		+	}}
		+
		+
	=='''Translation'''==		=='''Translation'''==