(Translation) 東國正韻序 - 편집 역사

2019년 7월 18일 (목) 00:09에 Jangseogak님의 편집

2019-07-18T00:09:28Z

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2019-07-09T07:54:07Z

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2019-07-09T07:52:08Z

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2018년 7월 19일 (목) 04:49에 Admin님의 편집

2018-07-19T04:49:21Z

Jangseogak: /* Original Script conserved (편집중, February 27th) */

2018-02-28T09:19:53Z

‎Original Script conserved (편집중, February 27th)

2018년 2월 28일 (수) 09:18에 Jangseogak님의 편집

2018-02-28T09:18:23Z

2018년 2월 27일 (화) 11:18에 Jangseogak님의 편집

2018-02-27T11:18:20Z

Jangseogak: /* Original Script conserved (편집중, February 27th) */

2018-02-27T10:34:45Z

‎Original Script conserved (편집중, February 27th)

2018년 2월 27일 (화) 09:36에 Jangseogak님의 편집

2018-02-27T09:36:35Z

@@ 47번째 줄: / 47번째 줄: @@
 p.8
-東國正韻序
+ 東國正韻序
+ 天地絪縕 大化流行 而人生焉。陰陽相軋 氣機交激 而聲生焉。聲旣生而七音自具 七音具而四聲亦備 七音四聲 經緯相交 而淸濁輕重 深淺疾徐 生於自然矣。是故 包犧畵卦 蒼頡制字 亦皆因其自然之理 以通萬物之情 及至沈陸諸子 彙分類集 諧聲恊韻 而聲韻之...
 Preface to the ''Correct Rhymes of the Eastern States''
-When the generative forces of heaven and earth<sup>1</sup> greatly transformed and disseminated, humans were born. When the Yin and the Yang ran into each other and the Qi dynamics awoke, the sounds and tones were born. When the sounds and tones were born 7 sounds<sup>2</sup> were obtained. When the 7 sounds were obtained, 4 tones were also provided. The 7 sounds and 4 tones govern one another, and their voice<sup>3</sup>, their weight<sup>4</sup>, their depth<sup>5</sup> and their speed<sup>6</sup> originated from the nature. For this reason, Baoxi<sup>7</sup> draw divinatory symbols and Cangjie<sup>8</sup> designed the (Chinese) characters. Also because of their natural principles and through/by(???) the Qing/character(???) of ten thousand things, reached/until/by the time(???) + going down profoundly(???) + various sages/classical schools of thought(???) who gathered, divided, categorized and compiled, harmonized the sounds/tones(???) and made the rhymes, then...
+When the generative forces of Heaven and Earth<sup>1</sup> greatly transformed and disseminated, humans were born. When the Yin and the Yang ran into each other and the Qi dynamics awoke, the sounds and tones were born. When the sounds and tones were born 7 sounds<sup>2</sup> were obtained. When the 7 sounds were obtained, 4 tones were also provided. The 7 sounds and 4 tones govern one another, and their voice<sup>3</sup>, their weight<sup>4</sup>, their depth<sup>5</sup> and their speed<sup>6</sup> originated from the nature. For this reason, Baoxi<sup>7</sup> draw divinatory symbols and Cangjie<sup>8</sup> designed the (Chinese) characters. Also because of their natural principles and through/by(???) the Qing/character(???) of ten thousand things, reached/until/by the time(???) + going down profoundly(???) + various sages/classical schools of thought(???) who gathered, divided, categorized and compiled, harmonized the sounds/tones(???) and made the rhymes, then...
@@ 77번째 줄: / 76번째 줄: @@
 p.9
-(聲韻之...)說始興 作者相繼 各出機杍 論議旣衆 舛誤亦多 於是 溫公著之於圖 康節明之於數 探賾鉤深 以一諸說 然 其五方之音 各異 邪正之辨 紛紜。夫音非有異同 人有異同，人非有異同 方有異同。盖以地勢別 而風氣殊 風氣殊而呼吸異。東南之齒唇 西北之頰喉 是已。遂使文軌雖通 聲音不同焉。矧吾東方...
+ (聲韻之...)說始興 作者相繼 各出機杍 論議旣衆 舛誤亦多 於是 溫公著之於圖 康節明之於數 探賾鉤深 以一諸說 然 其五方之音 各異 邪正之辨 紛紜。夫音非有異同 人有異同，人非有異同 方有異同。盖以地勢別 而風氣殊 風氣殊而呼吸異。東南之齒唇 西北之頰喉 是已。遂使文軌雖通 聲音不同焉。矧吾東方...

@@ 39번째 줄: / 39번째 줄: @@
 Sin Sukju (申叔舟), Choe Hang (崔恒), Sŏng Sammun (成三問), Pak P'aengnyŏn (朴彭年), Yi Kae (李愷), Kang Hŭian (姜希顔), Yi Hyŏnro (李賢老), Cho Pyŏnan (曹變安) and Kim Chŭng 김증 (金曾) were as many scholars involved in this compilation work. Among them, the first four had previously also participated to the elaboration of the ''Hunmin Chŏngŭm''.
-=='''Original Script conserved  (편집중, February 27th)'''==
+=='''Original script preserved here temporarily (편집중)'''==
 {|class="wikitable" style="width:100%; font-size:110%; color:#002080; background-color:#ffffff;"

@@ 31번째 줄: / 31번째 줄: @@
-=='''Introduction [편집중, February 15th]'''==
+=='''Introduction'''==
-The ''Tongguk Chŏngun'' (usually translated as the "Correct Rhymes of the Eastern State") is known to be the first and only rhyme dictionary that was compiled in the several kingdoms that developed on the Korean peninsula. It was completed in September 1446 during the reign of King Sejong (r. 1418–1450) from the Chosŏn Dynasty (1392-1910) and published in 1448, that is, one year after the promulgation of the ''Hunmin Chŏngŭm'' ("Standard Sounds for the Instruction of the People", the well-known publication introducing a new alphabet for writing in Korean).
+The ''Tongguk Chŏngun'' (or the "Correct Rhymes of the Eastern State") is known to be the first rhyme dictionary that was compiled in the several kingdoms that developed on the Korean peninsula. It was completed in September 1446 during the reign of King Sejong (r. 1418–1450) of the Yi Dynasty (1392-1910) and published in 1448, that is, one year after the promulgation of the ''Hunmin Chŏngŭm'' (the "Correct Sounds for the Instruction of the People", the well-known publication introducing the new alphabet for writing in vernacular Korean and glossing Hanmun texts).
-According to the ''Wangjo Sillok'' of the time (that is, the Yi dynasty's official records), the ''Tongguk Chŏngun'' consisted in 6 volumes (of which only the volumes 1 and 6 survived and are now preserved in the Museum of Konkuk University). The scholars involved in its compilation were Sin Sukju (申叔舟), Choe Hang (崔恒), Sŏng Sammun (成三問), Pak P'aengnyŏn (朴彭年), Yi Kae (李愷), Kang Hŭian (姜希顔), Yi Hyŏnro (李賢老), Cho Pyŏnan (曹變安), Kim Chŭng 김증(金曾).
+The ''Tongguk Chŏngun'' consists in 6 volumes, as it was mentioned in the official records. It had been lost until its volumes 1 and 6 were first discovered in 1940 and a copy of the entire book was found intact in 1972.
 =='''Original Script conserved  (편집중, February 27th)'''==

@@ 33번째 줄: / 33번째 줄: @@
 =='''Introduction [편집중, February 15th]'''==
-The ''Tongguk Chŏng'un'' (usually translated as the "Standard Rhymes of the Eastern States") is known to be the first and only rhyme dictionary that was compiled in the several kingdoms that developed on the Korean peninsula. It was completed in September 1446 during the reign of King Sejong (r. 1418–1450) from the Chosŏn Dynasty (1392-1910) and published in 1448, that is, one year after the promulgation of the ''Hunmin Chŏng'ŭm'' ("Standard Sounds for the Instruction of the People", the well-known publication introducing a new alphabet for writing in Korean).
+The ''Tongguk Chŏngun'' (usually translated as the "Correct Rhymes of the Eastern State") is known to be the first and only rhyme dictionary that was compiled in the several kingdoms that developed on the Korean peninsula. It was completed in September 1446 during the reign of King Sejong (r. 1418–1450) from the Chosŏn Dynasty (1392-1910) and published in 1448, that is, one year after the promulgation of the ''Hunmin Chŏngŭm'' ("Standard Sounds for the Instruction of the People", the well-known publication introducing a new alphabet for writing in Korean).
-According to the ''Wangjo Sillok'' of the time (that is, the Yi dynasty's official records), the ''Tongguk Chŏng'un'' consisted in 6 volumes (of which only the volumes 1 and 6 survived and are now preserved in the Museum of Konkuk University). The scholars involved in its compilation were Sin Sukju (申叔舟), Choe Hang (崔恒), Sŏng Sammun (成三問), Pak P'aengnyŏn (朴彭年), Yi Kae (李愷), Kang Hŭian (姜希顔), Yi Hyŏnro (李賢老), Cho Pyŏn'an (曹變安), Kim Chŭng 김증(金曾).
+According to the ''Wangjo Sillok'' of the time (that is, the Yi dynasty's official records), the ''Tongguk Chŏngun'' consisted in 6 volumes (of which only the volumes 1 and 6 survived and are now preserved in the Museum of Konkuk University). The scholars involved in its compilation were Sin Sukju (申叔舟), Choe Hang (崔恒), Sŏng Sammun (成三問), Pak P'aengnyŏn (朴彭年), Yi Kae (李愷), Kang Hŭian (姜希顔), Yi Hyŏnro (李賢老), Cho Pyŏnan (曹變安), Kim Chŭng 김증(金曾).
@@ 51번째 줄: / 51번째 줄: @@
-Preface to the Standard Rhymes of the Eastern States
+Preface to the ''Correct Rhymes of the Eastern States''
 When the generative forces of heaven and earth<sup>1</sup> greatly transformed and disseminated, humans were born. When the Yin and the Yang ran into each other and the Qi dynamics awoke, the sounds and tones were born. When the sounds and tones were born 7 sounds<sup>2</sup> were obtained. When the 7 sounds were obtained, 4 tones were also provided. The 7 sounds and 4 tones govern one another, and their voice<sup>3</sup>, their weight<sup>4</sup>, their depth<sup>5</sup> and their speed<sup>6</sup> originated from the nature. For this reason, Baoxi<sup>7</sup> draw divinatory symbols and Cangjie<sup>8</sup> designed the (Chinese) characters. Also because of their natural principles and through/by(???) the Qing/character(???) of ten thousand things, reached/until/by the time(???) + going down profoundly(???) + various sages/classical schools of thought(???) who gathered, divided, categorized and compiled, harmonized the sounds/tones(???) and made the rhymes, then...

@@ 14번째 줄: / 14번째 줄: @@
 }}
 <gallery>
 파일:11_01420000_00_0001_0008.jpg|* 8쪽
@@ 37번째 줄: / 36번째 줄: @@
 According to the ''Wangjo Sillok'' of the time (that is, the Yi dynasty's official records), the ''Tongguk Chŏng'un'' consisted in 6 volumes (of which only the volumes 1 and 6 survived and are now preserved in the Museum of Konkuk University). The scholars involved in its compilation were Sin Sukju (申叔舟), Choe Hang (崔恒), Sŏng Sammun (成三問), Pak P'aengnyŏn (朴彭年), Yi Kae (李愷), Kang Hŭian (姜希顔), Yi Hyŏnro (李賢老), Cho Pyŏn'an (曹變安), Kim Chŭng 김증(金曾).
 =='''Original Script conserved  (편집중, February 27th)'''==

← 이전 판		2018년 2월 28일 (수) 09:19 판
79번째 줄:		79번째 줄:


−	... the interpretations of the rhymed sounds and tones started to get along, the authors succeeded one after another, each one ______ important _______, __________ were many, errors too were numerous. Thereupon, _________ ordered in drawings(???), ______ _____ in number(???), explore(???) mysteries and describe depths, by then(???) this one interpretation, however/if(???) these 5 cardinal sounds are all different (from each other), the discrimination between the iniquitous and the correct differ(???). There is no sameness or difference between sounds, but there is between people, (but in the meantime) there is no sameness or difference between people, but there is between sounds. When the given[[盖以?]] geography is different, the climate is distinct; when the climate is distinct, [people's] breathing diverge. Hence [one would notice that] dental and labial sounds<sup>1</sup> are characteristic of the Southeast, [and that] inner and guttural sounds<sup>2</sup> are characteristic of the Northwest. Thus, although the writing rules are common, ~~and~~ tones and sounds are (definitely) not the same.	+	... the interpretations of the rhymed sounds and tones started to get along, the authors succeeded one after another, each one ______ important _______, __________ were many, errors too were numerous. Thereupon, _________ ordered in drawings(???), ______ _____ in number(???), explore(???) mysteries and describe depths, by then(???) this one interpretation, however/if(???) these 5 cardinal sounds are all different (from each other), the discrimination between the iniquitous and the correct differ(???). There is no sameness or difference between sounds, but there is between people, (but in the meantime) there is no sameness or difference between people, but there is between sounds. When the given[[盖以?]] geography is different, the climate is distinct; when the climate is distinct, [people's] breathing diverge. Hence [one would notice that] dental and labial sounds<sup>1</sup> are characteristic of the Southeast, [and that] inner and guttural sounds<sup>2</sup> are characteristic of the Northwest. Thus, although the writing rules are common, tones and sounds are (definitely) not the same.

@@ 76번째 줄: / 76번째 줄: @@
 p.9
-(聲韻之...)說始興 作者相繼 各出機杍 論議旣衆 舛誤亦多 於是 溫公著之於圖 康節明之於數 探賾鉤深 以一諸說 然 其五方之音 各異 邪正之辨 紛紜。夫音非有異同 人有異同，人非有異同 方有異同。盖以地勢別 而風氣殊 風氣殊而呼吸異。東南之齒唇 西北之頰喉 是已。遂使文軌雖通 聲音不同焉。■ 矧吾東方...
+(聲韻之...)說始興 作者相繼 各出機杍 論議旣衆 舛誤亦多 於是 溫公著之於圖 康節明之於數 探賾鉤深 以一諸說 然 其五方之音 各異 邪正之辨 紛紜。夫音非有異同 人有異同，人非有異同 方有異同。盖以地勢別 而風氣殊 風氣殊而呼吸異。東南之齒唇 西北之頰喉 是已。遂使文軌雖通 聲音不同焉。矧吾東方...
-... the interpretations of the rhymed sounds and tones started to get along, the authors succeeded one after another, each one ______ important _______, __________ were many, errors too were numerous. Thereupon, _________ ordered in drawings(???), ______ _____ in number(???), explore(???) mysteries and describe depths, by then(???) this one interpretation, however/if(???) these 5 cardinal sounds are all different (from each other), the discrimination between the iniquitous and the correct differ(???). There is no sameness or difference between sounds, but there is between people, (but in the meantime) there is no sameness or difference between people, but there is between sounds. When the given(盖以???) geography is different, the climate is distinct; when the climate is distinct, [people's] breathing diverge. Hence [one would notice that] dental and labial sounds<sup>1</sup> are characteristic of the Southeast, [and that] inner and guttural sounds<sup>2</sup> are characteristic of the Northwest. Thus, although the writing rules are common, and tones and sounds are (definitely) not the same.
+... the interpretations of the rhymed sounds and tones started to get along, the authors succeeded one after another, each one ______ important _______, __________ were many, errors too were numerous. Thereupon, _________ ordered in drawings(???), ______ _____ in number(???), explore(???) mysteries and describe depths, by then(???) this one interpretation, however/if(???) these 5 cardinal sounds are all different (from each other), the discrimination between the iniquitous and the correct differ(???). There is no sameness or difference between sounds, but there is between people, (but in the meantime) there is no sameness or difference between people, but there is between sounds. When the given[[盖以?]] geography is different, the climate is distinct; when the climate is distinct, [people's] breathing diverge. Hence [one would notice that] dental and labial sounds<sup>1</sup> are characteristic of the Southeast, [and that] inner and guttural sounds<sup>2</sup> are characteristic of the Northwest. Thus, although the writing rules are common, and tones and sounds are (definitely) not the same.
-<sup>1</sup>: 齒唇, sounds produced at the extremity of one's mouth.
+<sup>1</sup>: 齒唇 (teeth and lips), sounds produced at the extremity of one's mouth.
-<sup>2</sup>: 頰喉, sounds produced inside one's throat and inner part of his mouth.
+<sup>2</sup>: 頰喉 (mouth and throat), sounds produced inside one's throat and inner part of his mouth.
 p.10
-(矧吾東方...) 表裏山河 自爲一區 風氣巳殊於中國 呼吸 豈與華音相合歟? 然則語音之所以與中國異者 理之然也 至於文字之音 則宜若與華音相合矣。然 其呼吸旋轉之間 輕重翕闢之機 亦必有自牽於語音者 此其字音之所以亦随而變也。其音錐變 淸濁四聲 則猶古也。而曾無著書 以傳其正 庸師俗儒 不知...
+(矧吾東方...)表裏山河 自爲一區 風氣巳殊於中國 呼吸豈與華音相合歟? 然則語音之所以與中國異者 理之然也 至於文字之音 則宜若與華音相合矣。然 其呼吸旋轉之間 輕重翕闢之機 亦必有自牽於語音者 此其字音之所以亦随而變也。其音錐變 淸濁四聲 則猶古也。而曾無著書 以傳其正 庸師俗儒 不知...
-Besides our East, inside and outside, in the mountains and the rivers, is originally a region; if the common practices are ____ separated(???) from the Middle Kingdom<sup>1</sup>, as for the respiration(???), how would the sounds correspond with those of China<sup>2</sup>? That being the case, the fact that the speaking of the sounds differs with the Middle Kingdom, _____, reaching the sounds of the writings/characters. Thus the proper [attitude](???) is to make the sounds correspond with those of China. If(???) between the respiration and the spin, the advantage(???) of the weight and the opening<sup>3</sup>, the fact there must also be speech sounds/pronunciation/voice(???) that are implicated/dragged(???) themselves(???), the sounds of that character that also adapts/follows(???) and do not change. If its sounds _____ change, voiceless and voiced sounds, the four tones, then they are like the antiquity. But/and(???) transmitting the standards by collecting books that are not reliable, inferior masters and cheap(une meilleure idée???) confucians...
+■■ Besides our East, inside and outside, in the mountains and the rivers, is originally a region; if the common practices are ____ separated(???) from the Middle Kingdom<sup>1</sup>, as for the respiration(???), how would the sounds correspond with those of China<sup>2</sup>? That being the case, the fact that the speaking of the sounds differs with the Middle Kingdom, _____, reaching the sounds of the writings/characters. Thus the proper [attitude](???) is to make the sounds correspond with those of China. If(???) between the respiration and the spin, the advantage(???) of the weight and the opening<sup>3</sup>, the fact there must also be speech sounds/pronunciation/voice(???) that are implicated/dragged(???) themselves(???), the sounds of that character that also adapts/follows(???) and do not change. If its sounds _____ change, voiceless and voiced sounds, the four tones, then they are like the antiquity. But/and(???) transmitting the standards by collecting books that are not reliable, inferior masters and cheap(une meilleure idée???) confucians...

@@ 69번째 줄: / 69번째 줄: @@
 <sup>6</sup>: 疾徐 (fast and slow), that is 'speed'.
-<sup>7</sup>: 包犧 (Chinese: Baoxi, Korean: P'ohûi) also known as 伏羲 (Chinese: Fuxi, Korean: Pokhûi) or 庖犧 (Chinese: Paoxi, Korean: P'ohûi) is a Chinese legendary ruler that was credited with creating humanity and the invention of hunting, fishing and cooking as well as the invention of the Eight Trigrams.
+<sup>7</sup>: 包犧 (Chinese: Baoxi, Korean: P'ohûi), also known as 伏羲 (Chinese: Fuxi, Korean: Pokhûi) or 庖犧 (Chinese: Paoxi, Korean: P'ohûi), is a Chinese legendary ruler that was credited with creating humanity and the invention of hunting, fishing and cooking as well as the invention of the Eight Trigrams.
-<sup>8</sup>: 蒼頡 (Chinese Cangjie, Korean: Ch'anghil) another legendary figure claimed to be the inventor of Chinese characters.
+<sup>8</sup>: 蒼頡 (Chinese Cangjie, Korean: Ch'anghil), another legendary figure claimed to be the inventor of Chinese characters.
 p.9
-(聲韻之)說始興 作者相繼 各出機杍 論議旣衆 舛誤亦多 於是 溫公著之於圖 康節明之於數 探賾鉤深 以一諸說 然 其五方之音 各異 邪正之辨 紛紜。夫音非有異同 人有異同 人非有異同 方有異同 盖以地勢 別而風氣殊 風氣殊而呼吸異 東南之齒唇 西北之頰喉 是巳 遂使文軌雖通 聲音不同焉。矧吾東方...
+(聲韻之)說始興 作者相繼 各出機杍 論議旣衆 舛誤亦多 於是 溫公著之於圖 康節明之於數 探賾鉤深 以一諸說 然 其五方之音 各異 邪正之辨 紛紜。夫音非有異同 人有異同，人非有異同 方有異同。盖以地勢別 而風氣殊 風氣殊而呼吸異。東南之齒唇 西北之頰喉 是已。■ 遂使文軌雖通 聲音不同焉。矧吾東方...
-... the interpretations of the rhymed sounds and tones started to get along, the authors succeeded one after another, each one ______ important _______, __________ were many, errors too were numerous. Thereupon, _________ ordered in drawings(???), ______ _____ in number(???), explore(???) mysteries and describe depths, by then(???) this one interpretation, however/if(???) these 5 cardinal sounds are all different (from each other), the discrimination between the iniquitous and the correct differ(???). There is no sameness or difference between sounds, but there is between people, (but in the meantime) there is no sameness or difference between people, but there is between sounds. Cover(???) with the power and influence(???), if [they] leave/are different(???), then [their] common practices are separated(???); if [their] common practices are separated(???), then [their] respiration differ. The labials and dentals of the Southeast, the buccals(???) and larynxals of the Northwest, this/therefore(???)_____, accordingly send writing rules(???) and just(???) go through(???), sounds and sounds/tones(???) are not the same!
+... the interpretations of the rhymed sounds and tones started to get along, the authors succeeded one after another, each one ______ important _______, __________ were many, errors too were numerous. Thereupon, _________ ordered in drawings(???), ______ _____ in number(???), explore(???) mysteries and describe depths, by then(???) this one interpretation, however/if(???) these 5 cardinal sounds are all different (from each other), the discrimination between the iniquitous and the correct differ(???). There is no sameness or difference between sounds, but there is between people, (but in the meantime) there is no sameness or difference between people, but there is between sounds. When the given(盖以???) geography is different, the climate is distinct; when the climate is distinct, [people's] breathing diverge. Hence [one would notice that] dental and labial sounds<sup>1</sup> are characteristic of the Southeast, [and that] inner and guttural sounds<sup>2</sup> are characteristic of the Northwest. ■ This/therefore(???)_____, accordingly send writing rules(???) and just(???) go through(???), sounds and sounds/tones(???) are not the same!