(2017Translation) 率居 - 편집 역사

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2018-07-03T15:15:40Z

Admin님이 (Translation) 率居 문서를 넘겨주기를 만들지 않고 (2017Translation) 率居 문서로 이동했습니다

2018년 7월 3일 (화) 15:15에 Admin님의 편집

2018-07-03T15:15:26Z

2018년 7월 2일 (월) 17:55에 Admin님의 편집

2018-07-02T17:55:13Z

Youngoh64: /* Student 14 : (Write your name) */

2017-08-01T06:34:04Z

‎Student 14 : (Write your name)

Thpepe: /* Student 3 : Petra Sváková */

2017-07-22T12:11:15Z

‎Student 3 : Petra Sváková

Heej lee: /* Student 9 : (Write your name) */

2017-07-20T23:59:56Z

‎Student 9 : (Write your name)

Taeyeon.eom: /* Student 12 : (Write your name) */

2017-07-20T15:53:09Z

‎Student 12 : (Write your name)

2017년 7월 20일 (목) 07:59에 Sayia817님의 편집

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Kimm: /* Student 4 : (Write your name) */

2017-07-20T06:38:48Z

‎Student 4 : (Write your name)

@@ 9번째 줄: / 9번째 줄: @@
 |Year = 1145
 |Key Concepts=
-|Translator = [[2017 Summer Hanmun Workshop (Intermediate)#수강생 | Participants of 2017 Summer Hanmun Workshop (Intermediate Training Group)]]
+|Translator = [[2017 Hanmun Summer Workshop (Intermediate)#수강생 Participants | Participants of 2017 Hanmun Summer Workshop (Intermediate Training Group)]]
 |Editor =
 |Translation Year = 2017
@@ 24번째 줄: / 24번째 줄: @@
 =='''Translation'''==
@@ 257번째 줄: / 159번째 줄: @@
 Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.

← 이전 판		2018년 7월 2일 (월) 17:55 판
24번째 줄:		24번째 줄:

	=='''Translation'''==		=='''Translation'''==
		+
		+
		+	==='''(sample) : Young Kyun Oh'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 1 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 2 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 3 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 4 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 5 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 6 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 7 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 8 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 9 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 10 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 11 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 12 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 13 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	==='''Student 14 : (Write your name)'''===
		+	----
		+
		+	*Discussion Questions:
		+
		+
		+	[[Category:2018 Hanmun Summer Workshop]]
		+	[[Category:Intermediate Training Group]]
		+
		+
		+	<!--
		+	=='''(2017) Translation'''==


159번째 줄:		257번째 줄:

	Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.		Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.
		+	-->

← 이전 판		2017년 8월 1일 (화) 06:34 판
159번째 줄:		159번째 줄:

	Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.		Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.
−
−	~~==='''Student 14 : (Write your name)'''===~~
−	~~----~~

← 이전 판		2017년 7월 22일 (토) 12:11 판
46번째 줄:		46번째 줄:
	----		----
	Solgŏ [was a] man of Shilla. He was of humble background, thus there is no record of his family line. From his birth, he was good [by nature] at drawing. Once he drew an old pine tree on the wall of Hwangnyong Temple<sup>1</sup> - trunk [had] scales and wrinkles [on it], and branches and leaves were curved and twisted. Crows, hawks, swallows and sparrows often times saw it from '''apart {%%afar%%}''' and ['''wanted {%%tried%%}'''to] fly into [it]. [However] when they reached [it], they slipped and fell down. As time passed, the colours had darkened. A monk of the temple repaired it with colours of tanch'ŏng<sup>2</sup> [but] the crows and the sparrows would not come again. Also, portraits of Bodhisattva Kwan'ŭm<sup>3</sup> at Punhwang Temple<sup>4</sup> in Kyŏngju and Yuma<sup>5</sup> at Tansok Temple<sup>6</sup> in Chinju all have traces of his brush. For generations, these are known as divine pictures.		Solgŏ [was a] man of Shilla. He was of humble background, thus there is no record of his family line. From his birth, he was good [by nature] at drawing. Once he drew an old pine tree on the wall of Hwangnyong Temple<sup>1</sup> - trunk [had] scales and wrinkles [on it], and branches and leaves were curved and twisted. Crows, hawks, swallows and sparrows often times saw it from '''apart {%%afar%%}''' and ['''wanted {%%tried%%}'''to] fly into [it]. [However] when they reached [it], they slipped and fell down. As time passed, the colours had darkened. A monk of the temple repaired it with colours of tanch'ŏng<sup>2</sup> [but] the crows and the sparrows would not come again. Also, portraits of Bodhisattva Kwan'ŭm<sup>3</sup> at Punhwang Temple<sup>4</sup> in Kyŏngju and Yuma<sup>5</sup> at Tansok Temple<sup>6</sup> in Chinju all have traces of his brush. For generations, these are known as divine pictures.
		+
		+	Corrected text:
		+
		+	Solgŏ [was a] man of Shilla. He was of humble background, thus there is no record of his family line. From his birth, he was good [by nature] at drawing. Once he drew an old pine tree on the wall of Hwangnyong Temple<sup>1</sup> - trunk [had] scales and wrinkles [on it], and branches and leaves were curved and twisted. Crows, hawks, swallows and sparrows often times saw it from afar and [tried to] fly into [it]. [However] when they reached [it], they slipped and fell down. As time passed, the colours had darkened. A monk of the temple repaired it with colours of tanch'ŏng<sup>2</sup> [but] the crows and the sparrows would not come again. Also, portraits of Bodhisattva Kwan'ŭm<sup>3</sup> at Punhwang Temple<sup>4</sup> in Kyŏngju and Yuma<sup>5</sup> at Tansok Temple<sup>6</sup> in Chinju all have traces of his brush. For generations, these are known as divine pictures.

@@ 135번째 줄: / 135번째 줄: @@
 Solgŏ was a person from Silla state. '''Nobody knew his background origins {%%He came from a humble family background%%}''', and there were '''any records of his family linage {%%no record of his lineage%%}'''. From birth, he was dexterous at painting. Once, He had painted old pine trees on the walls of the Hwangnyong-sa: the monastery of the dragon emperor '''{00Since this is a name of a temple, translation would not be necessary.00}'''. The major branches and trunks cracked '''{^like scales^}''' the little branches and leaves twisted '''between each others {%%and bent%%}'''. Crows, '''{^hawks,^}''' swallows, sparrows and various birds, often times, '''they {%%saw it and, and%%}''' flew '''and crashed into they the walls {^into it, and when they reached there, they slipped and fell off%%}'''. The time '''pasted {%%passed%%}''', and the colors had darkened. So the monks fixed it with vermillion and blue pigments, and the crows and '''the other birds {%%sparrows%%}''' never returned to the walls of the monastery. Moreover, [through] the bodhisattva Avalokiteśvara on the Punhwang-sa: the monastery of imperial fragrance, in Kyŏngju; and the representation of the lay practitioner Vimalakīrti at the Tansok-sa: the monastery of the Samatā, in Chinju; '''everybody traced his brush {%%are the traces of his brush%%}'''. Generations after generations, '''people transmitted that he was a holy painter {%%they were transmitted as spiritual paintings.%%}'''
-==='''Student 9 : (Write your name)'''===
+==='''Student 9 : HeeJin Lee'''===
 ----
+Solgŏ [was] a man [of] Silla[.] [His] background [was] insignificant, and so his family lineage is not recorded[.] ]He was] born and drew well. [He] had once [done] a wall painting [of] an old pine tree at Hwangyŏng temple, [its] body [and] branches [were] scaled [and] wrinkly, [its] twigs [and] leaves [were] tangled [and] bent, crows[,] hawks[,] swallows[,] [and] sparrows, from time to time saw it [and] flew into it, [but] arriving/reaching [it,] skidded[,] slid[,] and fell[.] A year passed [and its] color darkened[,] [so] a monk [of] the temple restored it by using pigments, [but] the crows [and] sparrows [did] not again arrive[.] [Solgŏ] also painted the Guanyin boddhisattva at the Punhwang temple [at] Kyŏngju [and] the image of Yuma at the Tansok temple [at] Chinju[.] All the traces [of] his brush, people of [that] generation take to [be] legendary paintings.
 ==='''Student 10 : Jelena Gledić'''===

← 이전 판	2018년 7월 3일 (화) 15:15 판
(차이 없음)

@@ 149번째 줄: / 149번째 줄: @@
 ==='''Student 12 : (Write your name)'''===
 ----
+Solgŏ is a person from Silla. Because his background is not clearly known, his lineage cannot be described (here). From his birth, (by nature) he was good at drawing. In his early career, he drew a painting of an old pine tree on the wall of the Hwangryong Buddhist temple. The trunk and stems looked like wrinkled; the branches and leaves looked like turned and twisted; crows, hawks, swallows, and sparrows often flew in, then hit the wall, and staggered and fell down. After a long time, as the colour faded, a Buddhist monk painted it over with colours of red and blue (''tanch’ŏng'' is more like traditional multicoloured paintwork on wooden buildings). Swallows and sparrows did not come again. Also, Avalokitesvara in the Punhwang Buddhist Temple in Kyŏngju and the image of Vimalakīrti in the Tan’sok Buddhist Temple in Chinju are all his works. After generations, they are regarded as masterpieces in painting.
 ==='''Student 13 : Ra Yeonjae'''===

@@ 154번째 줄: / 154번째 줄: @@
 ----
-Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings transmitted and became legendary one.
+Solgo was a person of Silla. His background was humble, so there was no record about his family lineage. During his life, he was good at drawing. Once in the wall of Hwangryong temple, he drew an old pine tree. The trunk and the branches were scaled and wrinkled. The shoots and the leaves were twisted and bend. Crows, hawks, swallows and sparrows often looked it up and flied into it. Suddenly arriving, staggering and falling down. The time passed, the color became darken. The monk of the temple fixed with tanchong <ref> Tanchong(丹靑): traditional technique decorating the traditional korean building with five pigments(blue, red, yellow, white, black) </ref>, the crows and the sparrows did not come again. Also the image of avalokitesvara on Punhwang temple in Gyeongju and the image of Yuma(維摩) on Tansok temple in Jinju were all his works. The paintings were transmitted and became legendary one.
 ==='''Student 14 : (Write your name)'''===
 ----

← 이전 판		2017년 7월 20일 (목) 06:38 판
77번째 줄:		77번째 줄:

	<sup>3</sup> A Buddhist layman who is the main figure in the Vimalakirti Sutra, composed in the second century CE.		<sup>3</sup> A Buddhist layman who is the main figure in the Vimalakirti Sutra, composed in the second century CE.
		+
		+
		+
		+	Edited:
		+
		+	Solgŏ [was a] a man of Silla. [He was] of a humble background, [and] for this reason [people] did not record his clan or genealogy.
		+
		+	[From] birth he drew well. Once [he] drew an old pine tree on the wall of Hwanglong Temple.
		+
		+	Its body and branches were dabbed with scales and wrinkles, its branches and leaves were coiled and crooked. Crows and hawks, swallows and sparrows often saw [it from afar] and flew in, [and] suddenly arriving, scraped and smacked [against the wall and] fell.
		+
		+	Years passed [and the tree's] color dimmed, [so] a temple monk used pigments<sup>1</sup> to patch it, and birds did not again reach [it].
		+
		+	The Boddhisatva Kwannŭm [painting] in Punhwang Temple in Gyŏngju and the Vimalakirti3 painting in Dansok Temple in Chinju all also [bore] the mark of his brush, [and] the scholars of his generation took these to be legendary paintings.

	==='''Student 5 : (Jae Yong Chang)'''===		==='''Student 5 : (Jae Yong Chang)'''===